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Weekend Reading: Dark Horse, Tokyopop, Borders, Glut & Apes
Posted by Tom Mason Categories: Editorials, Interviews, Movies, Dark Horse Comics, TokyoPop,
So, not a great week for comic book publishers as Tokyopop finally called it quits. If you have a project over there, it's a good time to get a lawyer to look over your contract and see about rights reversion when the publisher goes away without declaring bankruptcy (yet) or getting sold.
Then Dark Horse laid off a bunch of employees, many of them beloved and had been there a long time.
But at least the US Government is stepping in to try to stop Borders executives from looting the stores they’ve already ruined.
Rise: I love the way the new Planet of the Apes comic book from Boom! is looking. The Scoop has a sneak preview of the first issue, on sale April 27.
Victor: Here’s a great interview with writer Don Glut that’s mostly about Frankensten. “Why don't I do a series of Frankenstein novels that would be based on the movies and all of these other things? In each one I would bring in some other character from fiction or whatever. I would create this whole Frankenstein universe.”
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The Key to Becoming Steve Niles
Posted by Robin Paulson Categories: Interviews, IDW Publishing,
Steve Niles is a self-proclaimed horror addict. Then again, judging by his books 30 Days of Night, Criminal Macabre, and Freaks of the Heartland, it’s not that difficult to spot.
Taking time out of his Halloween festivities to write about his horror heroes, Niles credits I Am Legend author Richard Matheson as well as directors George A. Romero and John Carpenter among his leading inspirations.
“John Carpenter hardly has to be introduced, let alone explained, but for those of you out there who are unaware of his work go out right now and rent or buy the original Halloween and (John Carpenter’s) The Thing and see how horror is done. These two movies made on very different budgets hit every beat of what makes great horror.”
Wait a second—does that mean I ought to skip over David Slade’s $30 million adaptation of 30 Days of Night when I’m perusing Netflix?
Best of all, Niles lets us in on the most notable secret of all: how to become a sought-after comic book creator in Hollywood.
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