Box Office Breakdown: Audiences Not Yet Tuckered Out
Posted by Veronica Santiago Categories: 20th Century Fox, Disney, New Line, Paramount, Sony, Universal, Warner Bros, Action, Adaptation, Adventure, Animation, Drama, Family, Music, Musicals, Romance, Science Fiction, Sequels, Comedy, Thrillers, Box Office, Lists, New Releases,
Spider-Man 3, Shrek the Third, Pirates, Ocean’s, Bourne and now Rush Hour 3. All six three-quels premiered directly at the top of the heap this summer.
Unfortunately, a six-year gap between the second and third Rush installments may have led to what some would consider slightly disappointing receipts. On any other occasion, a $50 weekend would be something to brag about. But considering it pales to the $67.4 million brought in by the 2001 predecessor, it’s only worth a pat on the back.
But really, the Disappointment of the Week honor should really fall on Cuba Gooding Jr. When you’re accepting rejected scripts from the man who played Norbit, you have to wonder where it all went wrong (two words: Chill Factor). Sadly, Daddy Day Camp was originally slated to be a straight-to-video release but somehow tested well enough to be released in theaters. Who knows? Maybe Gooding can pull a Halle and go straight-from-Oscar-to-Razzie.
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Box Office Breakdown: A Homerun For Homer
Posted by Veronica Santiago Categories: 20th Century Fox, Disney, MGM, New Line, Paramount, Sony, Universal, Warner Bros, Animation, Drama, Family, Horror, Musicals, Period, Political, Romance, Science Fiction, Sequels, Comedy, Thrillers, Box Office, Lists, New Releases,
Looks like Homer ain’t gonna be needing a deal on donuts anymore….
With a $74 million opening weekend, The Simpsons Movie debuted higher than most of the animated features released…ever. Only the two Shrek sequels did better. Quite a head-shaking number since we can still see the series for free on television. But viewers from every single Springfield in the US—plus a thousand other cities out there—love the family so much, they were willing to pay for more. Especially when it comes with nudity.
What theatergoers aren’t willing to pay for is more Lindsay Lohan. I Know Who Killed Me placed a dismal 9th, possibly due to lack of promotional work by the star. How ironic that in the end it was Lindsay who was responsible for killing the movie and possibly her career.
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| Variety