Comic Book Jobs: Beau Smith Gets Library Card

Posted by Tom Mason Categories: Editorials, IDW Publishing,

Writer, Marketer and all-around Good Guy Beau Smith has been announced as the new Director of Marketing for IDW’s Library of American Comics imprint. LOAC’s Creative Director is Dean Mullaney and it’s not the first time these two have worked together; Beau was Marketing Director for Dean’s Eclipse Comics back in the 1980s.

The Library of American Comics specializes in archival reprints of some of the best comic strips ever, including Dick Tracy, Terry and the Pirates, Rip Kirby, Bringing Up Father, Little Orphan Annie, King Aroo, Bloom County, The Family Circus, Li’l Abner, and Archie. They’ve even won a couple of Eisner Awards for their quality work. I love their Noel Sickles book and I can’t wait for the one on Alex Toth.

Click to continue reading Comic Book Jobs: Beau Smith Gets Library Card

William Overgard: Steve Roper, Mike Nomad, Rudy and Milton Caniff

Posted by Tom Mason Categories: Editorials,

William Overgard was a writer, novelist, and comic book artist who had a long-running gig on the Steve Roper (later Steve Roper and Mike Nomad) comic strip. His bold line and storytelling owed a lot to his idol, Milton Caniff.

Continuing my little series on cartoonists, here’s what Overgard had to say about his work back in 1964. This is pulled from an oversized saddle-stitched magazine from Allied Publications with the creatively-challenged title These Top Cartoonists Tell How They Create America’s Favorite Comics. It featured an introduction by Beetle Bailey’s Mort Walker and was compiled by Allen Willette. My previous entry on Dennis The Menace’s Fred Toole can be found here.

Here’s Overgard:

Click to continue reading William Overgard: Steve Roper, Mike Nomad, Rudy and Milton Caniff

Q&A: Dean Mullaney on Noel Sickles, Milton Caniff and Eclipse Comics

Posted by Tom Mason Categories: Interviews, IDW Publishing,

Dean Mullaney is one of the true pioneers of comic book publishing and, I confess, an old friend. He launched Eclipse Comics, one of the first comic book companies that specialized in not only giving creators a refuge from the corporate underwear heroes at DC and Marvel, but also in giving them ownership of their creations. Eclipse folded back in the early ‘90s and Dean disappeared into non-comics pursuits (as everyone in comics knows, once you leave the industry for something else, you disappear).

Now Dean’s back at the helm of the Library of American Comics, a series of classy comic strip reprint hardcovers he’s designing and editing for IDW. In his first year back, he won the Eisner Award for “Best Archival Collection” for his collection of Milton Caniff’s Terry And the Pirates. I caught up with him at the end of last year and asked him to spill about my favorite book of his, “Scorchy Smith And The Art of Noel Sickles.” Naturally, I strayed off-topic, too.

Click to continue reading Q&A: Dean Mullaney on Noel Sickles, Milton Caniff and Eclipse Comics