Power. The Apple Mac Pro (late 2013) is the newest Mac on the block, and it's also the most powerful computer ever made by Apple. It deserves to be, too, as the Mac Pro lost that title as Apple let that product line slip into virtual irrelevancy. After all, the previous Mac Pro spent the last four-or-so years at a technical standstill. It didn't have any Thunderbolt ports, no USB 3.0, no PCIe flash storage...heck, it didn't even have an 802.11n Wi-Fi option. For all intents and purposes, Apple had allowed the Mac Pro, the one machine that was aimed at meeting the needs of the most demanding customers, to become a dinosaur.
That is, until the release of the newly-redesigned Mac Pro (late 2013) model. With its smooth metallic cylindrical shape that looks like it was plucked off of an alien spaceship, smaller and lighter profile, and top-of-the-line specs that include PCIe SSD storage, dual workstation-class GPUs as standard, the newest Intel Xeon processors (up to 12 cores!), 802.11ac Wi-Fi, and a bunch of I/O ports which include Thunderbolt 2 and USB 3.0, this thing is a beast. It's modern--no, futuristic.
For all of you professional video editors, photographers, graphic artists, 3D animators, audio engineers and the like, we're betting that Apple has piqued your interest. After all, this is a Mac which can drive up to three 4K displays simultaneously. That's a lot of power. Wondering if it should be your next purchase? It's expensive, starting at $2,999 (and climbing up to $9,559 depending on how you configure it,) so we're here to help you in your decision making. Follow along as we bring you our full Mac Pro (late 2013) review, after the jump.
Apple's completely revamped Final Cut Pro X makes serious leaps and bounds past its predecessor in terms of usability and performance. The upgrade is a complete from-the-ground-up-rewrite that takes advantage of modern 64-bit multicore CPUs, and is a radical departure for the increasingly popular software suite.
In fact, it's changed so much that it may throw some professional users for a temporary loop; more on this later. But for the pro-sumer enthusiasts that make up the bulk of PCMag's readership—people moving up from iMovie or another consumer-level app, Final Cut Pro X is a huge leap forward in terms of usability and raw power. While its interface looks a lot more like iMovie's, with a free-form trackless "Magnetic Timeline" view, the program still packs vastly more editing power than the iLife video editor.
Read on for our thoughts!
Apple released Final Cut Pro X this morning, bringing a new redesign to the company's flagship video editing program. The app is now 64-bit and support multi-core processing, alongside a new editing timeline. taking design elements from iMovie, the new layout is supposed to allow both novices and seasoned video editors to work at much faster speeds. You can insert clips, move them around, and place everything just how you want, without worry of audio losing sync, for example. Final Cut Pro X also includes much improved audio and color handling, eliminating the need (and existence) of the Color and Soundtrack Pro apps. You can get Final Cut Pro X now for $299.99 in the Mac App Store. New versions of Motion 5 and Compressor 4 are also available at $49.99 each.
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