Not everybody who’s part of the comic book industry is writing, drawing, coloring, lettering or editing or blogging about writing, drawing, coloring, lettering or editing. There’s plenty of room for lawyers and accountants and guys who drive the trucks for Diamond Comic Distributors (and those guys are essential). But now there’s also an opportunity for anyone who can tap out a tune on a keytar, slap a bow on a violin or a blow a French horn.
I didn’t know this, or if I did, I’d forgotten it, but there’s apparently a Stan Lee documentary in the works called With Great Power. I believe this is different from the one called True Believer: The Stan Lee Documentary.
The folks behind the With Great Power doc are putting together “talented score musicians” which, unfortunately, are not guitar players who know how to make women pay their rent, but skilled musicians who want to be in the orchestra that’s scoring the film.
If you’re “skilled at your craft, non-union and can sight-read” and want to be part of the 90-piece non-union mighty Marvel marching band, I mean orchestra, currently being assembled for a 1-day session in mid-March over at the Warner Brothers’ Eastwood Stage, then some producers would like to hear from you – by email first, then they’ll listen to your pulse-pounding tuba triumph .
Unless you’ve been living in a hole for the past week or infected with a Zombie virus that’s harmed your brain, you’re aware that DC Entertainment has made a significant restructuring move in their executive suite and put a team of 5 people in charge - Dan Didio, Geoff Johns, Pat Caldon, John Rood and Jim Lee - to replace the outgoing Paul Levitz.
The internets abound with excellent coverage and analysis. One of the best pieces is from Heidi McDonald who lands a short interview with Diane Nelson, the head of DC Entertainment who put the team together.
Tom Spurgeon at The Comics Reporter runs through some very worthwhile bullet points in a “fingers crossed” sort of way.
And Dirk Deppey, no fan of the outgoing Paul Levitz, is optimistic about the new DC Team-Up.
I’m reminded of a time many years ago when Marvel Comics went on a buying spree that included the acquisitions of Panini, Fleer and Malibu Comics and culminated with the buying of Heroes World to be Marvel’s sole distributor. Under different circumstances, they also put a team of 5 in place as editorial shopkeepers. They called it “Marvelution.” A similar, “clever” phrase has yet to be made from DC’s name. “No Fear” might somehow stick in some way, but I think someone else already has that trademark. “High Five” is getting some play over at Bleeding Cool. And maybe if the DC gang do well, someone will tag them “The Superior Five.”
Forrest “Bud” Sagendorf was E.C. Segar’s young assistant on Popeye in the 1930s. When Segar died in 1938, King Features Syndicate considered Sagendorf too young to take over the comic strip. Instead, they put him to work in the bullpen where he worked on the Popeye comic books until 1958, when King decided to hand the strip over to him.
Continuing my little cartoonist series, here’s what Sagendorf had to say about his work back in 1964. This is pulled from an oversized saddle-stitched magazine from Allied Publications with the creatively-challenged title These Top Cartoonists Tell How They Create America’s Favorite Comics. It featured an introduction by Beetle Bailey’s Mort Walker and was compiled by Allen Willette. Newspaper comic strip writers and artists wrote about themselves and their work (or if they didn’t then their syndicate wrote it for them).
Here’s a previous entry in William Overgard.
And here’s the one on Fred Toole, the guy who wrote some absolutely tremendous Dennis the Menace comic books.
Here’s Sagendorf writing about himself:
So last week when Windows Phone 7 Series was introduced to the world, one of the major bulletpoints was the fact that Xbox Live integration would be a big part of the platform, although Microsoft didn’t give too many details. That changed on during a conference call this morning, where Microsoft mobile communications chief Andy Lees gave a bit on insight on hat we can expect to see in the mobile version of Xbox Live:
“We are very excited about the way in which the platform works across screens, so we have commonality of platform across the PC, the Xbox, and the web and the phone. We provide a new set of tools that makes it easy and very fast for people to develop applications for the phone but also in a way that works across screens, and we’ll announce details of that at MIX. You’re also right to point out that a marketplace is included, and the marketplace will work for applications but also for games, so the gaming marketplace for the first time will utilize Xbox Live, and that enables you to create multiplayer, multiscreen games, and the marketplace will facilitate that, so that it will actually work across screens.”
We like it, especially that whole multiplayer, multiscreen aspect, although of course we have to see how it actually looks and feel before making final judgment. We’ll know about when Microsoft’s MIX conference kicks off next month.
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