Al Jaffee: Tall Tales, MAD Magazine & Mocca

Posted by Tom Mason Categories: Editorials,

“Is this a blog post about Al Jaffee?”
“No, it’s about Harvey Kurtzman. I just can’t spell.”

Al Jaffee, the creator of the classic Fold-In for MAD Magazine, as well as “Snappy Answers To Stupid Questions,” has a style that’s all his own. Goofy, buoyant and bouncy, you can enjoy his work even before you get to the gag.

From 1957-1963, he had a syndicated comic strip called Tall Tales that’s one of those classic strips that’s recently been rediscovered and thank goodness for that. Jaffee, a Reuben Award winner, is also getting his own exhibit at Mocca, the Museum of Comic and Cartoon Art, in New York City. Titled “Is This The Al Jaffee Art Exhibit?” the show will debut later this fall.

Continuing my series on cartooning and cartoonists, Jaffee wrote about himself and his work back in 1964. This is pulled from an oversized saddle-stitched magazine from Allied Publications with the creatively-challenged title These Top Cartoonists Tell How They Create America’s Favorite Comics. It featured an introduction by Beetle Bailey’s Mort Walker and was compiled by Allen Willette.

Here’s Al on Jaffee and Tall Tales:

Click to continue reading Al Jaffee: Tall Tales, MAD Magazine & Mocca

Roy Crane, Wash Tubbs, Captain Easy and Buz Sawyer

Posted by Tom Mason Categories: Editorials, Interviews, Independent,

It’s easy to toss around the word “genius,” especially when it comes to comics. We all have our favorites and we all like to think ours are the great ones. But one look at Roy Crane’s work and anyone can see that he definitely was worthy of the “genius” tag.

Crane created two great adventure classics, Wash Tubbs (which later became Captain Easy) and Buz Sawyer, with Wash being called the first true newspaper adventure strip. He’s been dead for 30 plus years, but looking through his strip work, you can see his influence in comics from Milton Caniff to Alex Toth to Howard Chaykin. Even the modern strip, Rip Haywire by Dan Thompson shows a Crane influence as does Randy Reynaldo’s Rob Hanes.

And in a classic Comics Journal interview, Art Spiegelman calls Crane an influence on Jack Kirby.

Continuing my series on cartooning and cartoonists, Roy Crane wrote about himself and his work back in 1964. This is pulled from an oversized saddle-stitched magazine from Allied Publications with the creatively-challenged title These Top Cartoonists Tell How They Create America’s Favorite Comics. It featured an introduction by Beetle Bailey’s Mort Walker and was compiled by Allen Willette.

Here’s Crane on Crane:

Click to continue reading Roy Crane, Wash Tubbs, Captain Easy and Buz Sawyer

Gus Arriola and Gordo

Posted by Tom Mason Categories: Editorials,

I never got to read Gordo when it was syndicated - it never ran in any papers in my area when I was a kid. It was always a strip that I read about, instead of actually reading. That changed as I got older and got to read longer runs of of it. It deserves all the praise it gets for its gentle humor and its brilliant design. You can read comics on the iPhone all day long, but it’s one panel at a time. To appreciate the craftsmanship of a Gordo strip, you need to take in the whole thing. The guy was just great, and he deserved a much wider audience and he deserves to be read and experienced still today. With comics in this Golden Age period of archival reprint heaven - c’mon, even Gasoline Alley is getting collected - Gordo should be right there with everyone else. (I’m looking at you, Dean Mullaney)!

Continuing my series on cartooning and cartoonists, Gus wrote about himself and his work back in 1964. This is pulled from an oversized saddle-stitched magazine from Allied Publications with the creatively-challenged title These Top Cartoonists Tell How They Create America’s Favorite Comics. It featured an introduction by Beetle Bailey’s Mort Walker and was compiled by Allen Willette.

Here’s Gus on Gus and Gordo:

Click to continue reading Gus Arriola and Gordo

Buford Tune and Dotty Dripple

Posted by Tom Mason Categories: Editorials,

Buford Tune appears to be one of the forgotten cartoonists of the mid-20th Century, even though he had a comic strip that ran for nearly 30 years. I’d never heard of him or his strip which made this article about him all the more fascinating.

Continuing my series on cartooning and cartoonists, Tune sang about his own work back in 1964. This is pulled from an oversized saddle-stitched magazine from Allied Publications with the creatively-challenged title These Top Cartoonists Tell How They Create America’s Favorite Comics. It featured an introduction by Beetle Bailey’s Mort Walker and was compiled by Allen Willette.

Now, here’s Tune on key:

Click to continue reading Buford Tune and Dotty Dripple

Q&A: James Childress & Conchy (1975)

Posted by Tom Mason Categories: Interviews,

A million years ago, when I was but a small boy, my favorite comic strip was - and still is - Conchy by James Childress. The strip was about a group of beachcombers and it had the wackiness of early B.C. by Johnny Hart mixed with the philosophical melancholy of Charles Schulz’s Peanuts. And it was extremely well-drawn. I found out about Conchy in some obscure comic magazine, then realized it was not running in my local paper, The Roanoke Times & World News (because there had to be room for Dr. Smock, right?). But it did run in the Richmond Times-Dispatch. Being too broke to spend the money every day to get a copy of an out of town paper, I pulled a pre-Google and read it for free: by going to the local library every Sunday afternoon and reading a week’s worth of strips in one sitting.

I loved it and I started to piece together a history of the strip and its creator. Childress himself was syndicating the strip on his own - no big syndicate to support and promote him. I remember being impressed by that gutsy DIY attitude; I had no idea such a thing was even possible. He worked his way up as an independent and subsequently got Conchy picked up by the same folks that syndicated Walt Kelly’s Pogo, Publishers-Hall.

Click to continue reading Q&A: James Childress & Conchy (1975)

Remembering Calvin & Hobbes by Bill Watterson

Posted by Tom Mason Categories: Editorials, Interviews,

Can it really be just 14 years ago - December 31, 1995 - that Bill Watterson said goodbye to Calvin and Hobbes and left the comics pages and most of us very, very sad? That’s longer than the 10 years that the strip ran. In honor of the anniversary of Calvin And Hobbes’ retirement, here’s a quote from Watterson about how the strip came to be:

“It was a slow process, and actually what happened is another odd coincidence. One of the strips I’d sent (the syndicate) had Calvin and Hobbes as minor characters. Calvin was the little brother of the strip’s main character, and Hobbes was like he is now, a stuffed tiger that came to life in Calvin’s imagination. One of the syndicates suggested that these two characters were the strongest and why didn’t I develop a strip around them? I had thought they were the funniest characters myself, but I was unsure as to whether they could hold their own strip. I was afraid that maybe the key to their wackiness was the contrast between them and the more normal characters in the rest of the strip. I wasn’t sure Calvin and Hobbes would be able to maintain that intensity on their own. But I tried it, and almost immediately it clicked in my mind; it became much easier to write the material.

Click to continue reading Remembering Calvin & Hobbes by Bill Watterson