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Weekend Reading: Alex Toth, Nick Fury and Doug Wildey

Posted by Tom Mason Categories: Editorials, Marvel Comics,

Fear Itself: The DeepGreetings and welcome to the weekend. Let's read!

Toth: Animator Michael Sporn showcases a lot of great Alex Toth art from Dell Comics. Bonus: includes side-by-side comparisons of Toth’s b&w pages with the much lower-quality printed copies. Nice.

Bunn: Chris Arrant at Collecting Comic Books has a nifty interview with Cullen Bunn, writer of the upcoming Fear Itself: The Deep.

Cap: Novelist James Reasoner reviews The Trial of Captain America: “Under Brubaker’s guidance, Captain America continues to be one of the best comics out there today.”

Cartoons: Cartoonist Dan Rosandich gets himself a shout out from the Los Angeles Times Pressmens 20 Year Club.

Plop!: Diversions of the Groovy Kind has an old classic from Steve Skeates and Sergio Aragones.

Comics: We all knew that Nick Fury was a Sergeant and an agent of S.H.I.E.L.D. Did you know he was a fan of the comics? Mike Sterling reveals all.

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R.I.P. Dick Giordano

Posted by Tom Mason Categories: Editorials, DC Comics,

Wonder Woman 202I didn’t know Dick Giordano. By the time was negotiating to buy Malibu Comics, Dick had retired. My one encounter with him was so hysterically overwrought and requires so much useless backstory about marginal players that I can only tell it at convention bars over microbrews. But I do know – or think I know – a lot of things about him. He was responsible for a superhero renaissance at Charlton Comics back in the 1960s when he oversaw Ditko’s creation of The Question and his revival of The Blue Beetle and Captain Atom as well as a number of other superhero projects.

When he moved to DC, a number of his Charlton freelancers ended up there as well, including Denny O’Neil, Jim Aparo and Steve Skeates (and under Giordano’s stewardship, Aparo and Skeates had a remarkable run on Aquaman). He co-founded Continuity Studios with Neal Adams, providing an alternative business model (and freelance work) for artists working in corporate comic books. He could edit, write, pencil and ink – he drew some of the most beautiful long-legged women in comics.

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