Latest Andru Edwards Videos
Weekend Reading: Ray Bradbury, Alex Toth and Before Watchmen
Posted by Tom Mason Categories: Conventions, Editorials, Reviews,
The countdown to San Diego has begun. You can tell because Mark Evanier is starting to post his great stories about San Diego cons of the past.
I’ve really been enjoying his tales of the con that involve Ray Bradbury and Julie Schwartz (and MAD Magazine’s Al Feldstein). One of the things that’s being revealed is that Julie, a longtime DC Comics editor and later company ambassador, doesn’t come across as a likeable guy.
This will not come as a surprise to anyone who’s read about Evan Dorkin’s repeatedly unpleasant encounters with Schwartz.
Or to people who are familiar with Colleen Doran.
Speaking of Ray Bradbury, Frederik Pohl remembers his friend of 75 years.
Click to continue reading Weekend Reading: Ray Bradbury, Alex Toth and Before Watchmen
Advertisement
Weekend Reading: Bill Finger, Pixar, Toth and Calvin & Hobbes
Posted by Tom Mason Categories: Editorials, Interviews, Reviews, DC Comics, Independent, Marvel Comics,
Yeah, yeah, Avengers-mania is dying down and we’re back to counting the days until San Diego, right? Well, I am. In the meantime, let's read:
Want some story-writing advice from the gang at Pixar? Of course you do.
There’s no doubt that without writer Bill Finger, Batman wouldn’t be Batman. Booksteve’s Library has read and enjoyed Bill, The Boy Wonder: The Secret Co-Creator of Batman by Marc Tyler Nobleman. “Bob Kane was rather a self-serving individual who rarely did anything himself when he could get someone else to do it for him.” One of those someones was the writer Bill Finger.
Longbox Graveyard blogger Paul O’Connor has a companion gig: a regular column at Stash My Comics called The Dollar Box. Start here.
Click to continue reading Weekend Reading: Bill Finger, Pixar, Toth and Calvin & Hobbes
Weekend Reading: Smallville, Big Nate and Star Wars
Posted by Tom Mason Categories: Editorials, Interviews, Movies, Reviews,
I know that we’re all thinking the same thing: how great it is that Michael Rosenbaum is coming back to Smallville for the big series finale. I’m stocking extra Doritos for my goodbye party.
Now that you’re sitting down, why not read a few things:
England: I missed this end of the year interview with head of brand marketing for DC Thomson John Paul Murphy. DC Thomson publishes, among other things, the British comics the Beano, the Dandy and Commando.
Art: After looking at these paintings from Britain’s War Picture Library, I can only conclude two things: (1) Giorgio De Gaspari is a terrific painter and (2) I want to see more!
Nate: Comic Strip Of The Day takes a look at Big Nate. “It is self-deprecating, self-reflective humor delivered on an adolescent level. And it works.”
Click to continue reading Weekend Reading: Smallville, Big Nate and Star Wars
Weekend Reading: Comic Con International, Tom Peyer, Ultraverse and Paul Cornell
Posted by Tom Mason Categories: Conventions, Editorials, Interviews, Movies, Reviews, Television, Independent,
Comic Con International in San Diego is closer than you think. Years ago, I started compiling my own list of convention secrets starting with a great place to go to the bathroom that’s tucked away in a corner, just minutes from the convention floor, and no one seems to know about it. Then I read the list compiled by Tom Spurgeon at The Comics Reporter and I am ashamed of my own ineptitude. If you’re going to the con this summer, you need to read Tom’s list of 135 tips.
After you’ve finished reading Tom’s tips, here are a few other links to brighten your weekend…
Want To Be A Writer?: Of course you do. Who doesn’t? Step into any cocktail party or backyard barbecue and it’s full of people bursting with ideas, if only they can find someone who could take a few minutes to write it all down for them. The real trick is finding places that might be interested in publishing something once it’s all written down. If you feel like writing some stuff down, John Scalzi (the Hugo Award-winning sf author) and Wil Wheaton (yes, that Wil Wheaton) have joined forces to create a writing contest that’s win-win-win for all. Maybe even you.
Mell Lazarus and Miss Peach
Posted by Tom Mason Categories: Editorials,
Someone should biographize Mell Lazarus, who is still alive and—coming up on 83—still working. For a long time, he had two daily nationally syndicated comic strips, Miss Peach and Momma. He wrote a humorous novel based on his experience working for Al Capp (creator of Li’l Abner), he worked for Al Capp and was an active presence in the New York cartoon scene. Oh the stories he could probably tell. I hope he’s secretly putting them all in a book.
Continuing my series on cartooning and cartoonists, this Lazarus piece is pulled from a 1964 oversized saddle-stitched magazine from Allied Publications with the creatively-challenged title These Top Cartoonists Tell How They Create America’s Favorite Comics. It featured an introduction by Beetle Bailey’s Mort Walker and was compiled by Allen Willette.
Here’s Mell talking about how he does it:
Click to continue reading Mell Lazarus and Miss Peach
Peter Arno: Avoiding Easy Stagnation
Posted by Tom Mason Categories: Editorials,
Peter Arno was one of the great cartoonists of his generation, probably one of the greatest of all time. A mainstay of The New Yorker, his work helped define the magazine, and he was wealthy enough to party on with the types of people he lampooned in his cartoons. He was only 64 years old when he died in 1968.
In the introduction to his book, Peter Arno’s Ladies & Gentlemen (Simon and Schuster, 1951), Arno answered a few questions that had been constantly hurled at him over the years. One of my favorite responses was to the age-old question all creative people must suffer.
Here’s Arno:
“Question Number Two seems to be: ‘Where do you get all your ideas? Do they just come to you?’
“The last thing they do, madam, is ‘just come.’ My ideas are produced with blood, sweat, brain-racking toil, the help of The New Yorker art staff, and the collaboration of keen-eyed undercover operatives. For the first few years I did think up most of my own situations. I had to. I was developing a style and a new kind of format, and there was no way anyone else could do it for me. But as time went on, and a distinct pattern for my work was set, it became easier for others to make contributions. By “others,” I mean the scant handful of gifted idea-men (there are hordes of the other kind) who have grown up in the field during the past few years.
Click to continue reading Peter Arno: Avoiding Easy Stagnation