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Joe Kubert, RIP
Posted by Tom Mason Categories: Editorials, DC Comics,
It’s hard to believe that Joe Kubert passed away. His work was such a large part of my comic book experience and his war comics are so ingrained on my psyche that it feels like the passing of a great man of literature.
From Sgt. Rock, to Enemy Ace, to Tarzan and dozens more, his work never disappointed. His covers were dynamic, fluid, and never looked like anyone else’s. I could spot Kubert art a mile away. I loved his covers on Son Of Tomahawk, and I really liked a tryout series of his called Firehair, about a red-headed boy raised by native Americans.
And as much as I loved his war comics, it was his Tarzan that was a revelation to me. I’d read the Gold Key stuff which I found stiff and unexciting, but when I picked up the first issue Kubert did for DC, I was amazed at how he got me to like a character I was never really interested in.
Years later, I was fortunate enough to be involved in the publication of one of Joe’s graphic albums, Abraham Stone, at Malibu Comics. Here’s how that came about.
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COMIC CON INTERNATIONAL: Joe Kubert and Sergio Aragones
Posted by Tom Mason Categories: Editorials,

Platinum Editions was a joint venture between Ervin Rustemagic’s Strip Art Features (S.A.F.) and Malibu Comics. The idea was that since Ervin’s client roster of fantastically-talented big name artists was already creating graphic albums for distribution in multiple European countries, why not publish a US edition as well. Why not, indeed.
Malibu agreed to pay for a black plate change during the press run and produce a version of each book with English dialogue (and lettering), and distribute the books under a new imprint. Ervin originally wanted to call the imprint “Exit” because he had a theory that the sheer number of “Exit” signs on the freeways, interstates and highways across the U.S. amounted to a ton of free advertising. But Platinum Editions won the name game.
Once printed in Europe, the books would then ship to the US. It gave Malibu – in 1991 – access to some creators it normally would not have gotten to work with, including Joe Kubert (who would later illustrate Rustemagic’s Fax From Sarajevo) and Sergio Aragones. Kubert’s book was Abraham Stone, and Sergio did two books, Buzz & Bell: Space Cadets and Smokehouse Five.
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