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VIDEO: Emma Stone Matures in New Film Role

Emma Stone is leaving upbeat teen films behind her, and it looks like she’ll be putting some impressive acting chops on display in The Help. The touching film is adapted from the book of the same name, a heart-wrenching portrait of racial tensions in 1960s Mississippi.

But before you completely write it off as a chick flick, watch the trailer above and you’ll see why we think Stone’s star is going to start shining. Bryce Dallas Howard co-stars as a racist housewife, and she's sure to make a fantastic villain.

Read More | E! Online

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Box Office Breakdown: Valentine’s Day Has Rosy Four-Day Weekend

Valentine's Day

Despite receiving less than enthusiastic reviews, Valentine’s Day remained the point of attraction for many romance-minded ticket buyers this weekend. Garry Marshall’s romantic comedy wooed audiences over the holiday period while simultaneously breaking records in the process.

Warner Bros.’ ensemble cast combined their efforts to pull in $63.1 million over the past four days ($56.2 million for just the first three). The feature became the highest-grossing film during any President’s or Valentine’s Day frame while also topping the studio’s list of four-day debuts.

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Read More | Box Office Mojo

Box Office Breakdown: Dear John Brings Down Avatar

Amanda Seyfried in Dear John

Dear John—And they didn’t think we could do it. Take that, blue people! XOXO, Savannah

After an exhausting seven weeks at #1, found itself in entirely new territory: sitting back at #2. Although the film had broken nearly every record in the history books (and padded another $22.9 million to its domestic total), the 20th Century Fox feature ended its win streak nine weeks shy of E.T.‘s mark.

Taking the lead from James Cameron was the latest weeper from author Nicholas Sparks. - starring Channing Tatum and Amanda Seyfried - was the counterprogramming winner during Super Bowl weekend. The romantic drama earned an impressive $30.5 million and came narrowly close to besting the record set during the same sports frame in 2008. (That was when Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour generated $31.1 million.)

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Read More | Box Office Mojo

Box Office Breakdown: Avatar Has the Edge Over Mel Gibson

Edge of Darkness

Despite success in recent years as a director, Mel Gibson hasn’t been seen in front of the cameras in quite some time. Unfortunately, he couldn’t have picked a worse weekend to make a return.

Gibson’s new film, , debuted to a respectable $17.2 million over the past three days. While that may - may - have been enough for a first place finish at any other time, the Warner Bros. feature brought in approximately half as much as that other film.

, with its $31.3 million take, is now approximately $10 million shy of officially taking the domestic crown from Titanic. (The 20th Century Fox film finally become the worldwide leader during the past week.) If the sci-fi extravaganza remains at #1 for

nine more weeks,

it’ll officially tie E.T. for that record.)

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Read More | Box Office Mojo

Sequel News: Wild Hogs, Happy Feet and More


Wild Hogs: The ride has just come to an end for John Travolta, Tim Allen, Martin Lawrence and William H. Macy. Wild Hogs 2: Bachelor Ride, a sequel to the 2007 comedy, has just been scrapped by Disney. Although it’s unclear why the Touchstone project was pulled, the film is just one of several canned since Rich Ross became the new studio chief.

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Box Office Breakdown: The Wild Things Are #1

Where the Wild Things Are

Who knew a 10-sentence long story could do so well?

It may have taken over three years for Where the Wild Things Are to officially debut, but the long journey was apparently worth the wait. The Spike Jonze project, which was once rumored to be too scary for children, finally unfolded over the weekend and soared to first place. The Maurice Sendak adaptation, which earned approximately $32.7 million, also gave Warner Bros. its best October open ever.

Even though Gerard Butler didn’t bother to promote during his recent Saturday Night Live stint, the film managed to survive on its own. The actioner, which also starred Jamie Foxx, raked in just over $21 million and won a close race for 2nd place. Meanwhile, word-of-mouth hit Paranormal Activity grossed another $19.6 million and moved up one rung to the third spot.

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Read More | Variety

Box Office Breakdown: Audiences Escape to Couples Retreat

Couples Retreat

Depending on how you look at the numbers, the winner this weekend was either or Paranormal Activity.

In the comedy corner, we have a Peter Billingsley-directed film that earned $35.3 million and a first-place finish. The movie - which combined the efforts of Vince Vaughn, Jon Favreau and Jason Bateman - pulled in the best numbers for any Columbus Day weekend entry ever. It also gave Vaughn his 2nd best opening behind The Break-Up.

Meanwhile, on the horror front, made a huge splash despite being in limited release. The Blair Witch-esque movie scared up a shocking $49,000 per screen average. It also raked in nearly 500 times more than its budget. (It only cost less than $16,000 to produce.)

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Read More | Variety

Box Office Breakdown: No Sluggish Start for Zombieland

Zombieland

Watch out, vampires…there’s still life in the other undead.

Although he was previously known as a director for Jimmy Kimmel Live, Ruben Fleischer now has a new title: box office champ. This past weekend, Ruben saw his first major feature, , attack the competition with a $24.7 million debut. The movie - which only cost approximately $24 million to make - had the highest open for any zombie-themed flick since Dawn of the Dead in 2004.

Meanwhile, another director had an entirely different result with her debut feature. , a roller derby comedy helmed by Drew Barrymore, rolled into 6th place finish with only $4.7 million. (When your film’s been topped by Pixar entries from 10+ years ago, there might have a problem.) Hopefully in a few more weeks, the Ellen Page vehicle will at least cover its $15 million production tab.

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Read More | Variety

Box Office Breakdown: Meatballs Rolls to Another Victory

Cloudy with a Chance of Meatballs

was no substitute for meatballs.

Despite competition from a Bruce Willis film, a music-based remake and a sci-fi horror entry, remained the theatergoers’ order of choice for the second week in a row. The children’s book adaptation had Sony dining to the tune of $25 million—over $10 million more than the second place finisher.

Many thought Willis, who hasn’t had a major role since 2007’s Live Free or Die Hard, was on track to take first this weekend. Unfortunately, his

hair

movie was considered a big letdown given its $15 million gross and $80 million budget. Meanwhile, , a remake of the 1980 hit, had no one feeling like they wanted to live forever. The MGM feature only rung up $10 million for third place.

Click to continue reading Box Office Breakdown: Meatballs Rolls to Another Victory

Read More | Variety

Box Office Breakdown: Audiences Drawn to Funny People

Funny People

When you combine the talents of , Seth Rogen and Judd Apatow, a 1st place finish shouldn’t shock you. A $22.7 million haul? That is surprising.

Despite earning enough to displace G-Force for the weekend’s top spot, failed to bring the movie house down. The 144-minute length dramedy pulled in the lowest gross for any #1 entry this summer. While the film did better than any of Sandler’s dramatic efforts, it didn’t fall line with his comedic outings.

On the other hand, Rogen and Apatow had more reason to be pleased with the box office results. The Universal pic gave Seth his best debut since 2007’s Superbad. Meanwhile, Funny fell right in between The 40-Year-Old Virgin ($21.4 million) and ($30.7 million) for Judd.

Click to continue reading Box Office Breakdown: Audiences Drawn to Funny People

Read More | Variety

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