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FilmCrunch 067: Hairspray, Chuck & Larry, Premonition reviewed

In this episode of FilmCrunch, Veronica Santiago and Neil Estep review Hairspray, along with the DVD release of Premonition. Neil also hits us with a 60 second review of I Now Pronounce You Chuck and Larry. All that, plus your typical dose of hilarity, in this episode.

Now we want to hear from you - hit the forums and let us know what you think, what you want us to watch next, and any other recommendations you have for the show.


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Is Paris Hilton Getting Cold?

Paris HiltonWhen went to jail, it become the only media story in the entire world. For a while there, the heiress couldn’t make a single move without finding flashbulbs in her face. But Miss Hilton loves the attention, and she often makes herself available for photo-ops. Maybe…too much?

Hilton’s latest film project, , actually opened this weekend. I know with all the news of the writers strike and the rumors of a second Hannah Montana movie it’s hard to keep up with Hilton’s every move, but the flick came to theaters Feb. 8. Don’t worry - a lot of other people didn’t notice, either. The film, to date, has grossed a disappointing $27,696, which probably doesn’t even put a dent in Hilton’s movie salary.

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Paris Hilton Not a Party Girl Anymore

Paris HiltonStill shaken up from her short stint in jail (those twenty-three days really got to her), is determined to shed her party girl image. This new life direction for the hotel heiress would be a lot easier to believe if she would actually stop going to parties (somebody please give Miss Hilton a clue).

In the October 22 edition of Newsweek, Hilton says “I want to leave a mark on the world.”  Don’t worry, Paris…you already have. Hilton will be documenting her highly-publicized visit to Rwanda, in hopes of turning the footage into a film.  Awwww…it really sounds as though she has the interests of others in her heart. I wonder—who do you think will be profiting from this film?

Obviously not part of her new caring efforts, Hilton is also currently working on the movie Repo, an odd-sounding thriller about transplanted organs…set to music.

Read More | Yahoo! News

Box Office Breakdown:  It’s Super To Be Bad

Superbad

The Judd Apatow train is bound to hit a roadblock at some point—but for the time being, it’s full steam ahead.  Superbad opened impressively with over $30 million this weekend making it the third Apatow-related project in a row to accomplish this feat (the others being Talledega Nights and Knocked Up).  This is, of course, not taking into consideration the uber-sleeper hit The 40-Year-Old Virgin.

Meanwhile, there was nothing super about Nicole Kidman’s latest outing.  The Invasion, the latest version The Body Snatchers, scared up a dismal $5.9 million (and that’s despite Daniel Craig’s hunky presence).  But I predict a much stronger outing for these two later this year with The Golden Compass.

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Box Office Breakdown:  Audiences Not Yet Tuckered Out

Rush Hour 3

Spider-Man 3, Shrek the Third, Pirates, Ocean’s, Bourne and now Rush Hour 3.  All six three-quels premiered directly at the top of the heap this summer.

Unfortunately, a six-year gap between the second and third Rush installments may have led to what some would consider slightly disappointing receipts.  On any other occasion, a $50 weekend would be something to brag about.  But considering it pales to the $67.4 million brought in by the 2001 predecessor, it’s only worth a pat on the back.

But really, the Disappointment of the Week honor should really fall on Cuba Gooding Jr.  When you’re accepting rejected scripts from the man who played Norbit, you have to wonder where it all went wrong (two words: Chill Factor).  Sadly, Daddy Day Camp was originally slated to be a straight-to-video release but somehow tested well enough to be released in theaters.  Who knows?  Maybe Gooding can pull a Halle and go straight-from-Oscar-to-Razzie.

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Box Office Breakdown:  Bourne Breaks Bank

Bourne

Matt Damon may still be vying for People magazine’s ‘Sexiest Man Alive’ title—but he has one thing that George Clooney and Brad Pitt don’t have:  the biggest debut for an August opening ever.

The Bourne Ultimatum‘s $70 million take improved upon the previous Bourne installments and gave Damon his largest weekend to date (and that’s including all three Ocean’s movies).

Meanwhile, Lindsay Lohan should be happy that she’s holed up in rehab again—though seeing her movie kicked out of the Top Ten would have probably sent her there anyway.  Apparently theatergoers can only handle one movie about Bratz at a time…

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Box Office Breakdown:  A Homerun For Homer

The Simpsons

Looks like Homer ain’t gonna be needing a deal on donuts anymore….

With a $74 million opening weekend, The Simpsons Movie debuted higher than most of the animated features released…ever.  Only the two Shrek sequels did better.  Quite a head-shaking number since we can still see the series for free on television.  But viewers from every single Springfield in the US—plus a thousand other cities out there—love the family so much, they were willing to pay for more.  Especially when it comes with nudity.

What theatergoers aren’t willing to pay for is more I Know Who Killed Me placed a dismal 9th, possibly due to lack of promotional work by the star.  How ironic that in the end it was Lindsay who was responsible for killing the movie and possibly her career.

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Read More | Variety

Paris Hilton’s Latest Project

Paris Hilton Last weekend, revealed to People magazine reporters that she was scheduled to begin working on a new movie, filming of which will begin in a few short weeks. The cat may be out of the bag, though, as Paris let a few more clues slip. Though nothing has been officially announced, it seems likely that Hilton will be taking on a project that might just be little too much for her. That’s right…Paris Hilton is going to be in a movie musical.

Dreamgirls was a huge success…so is the re-made version of Hairspray. Chicago won critical acclaim, and the re-make of The Producers was hilarious. Hollywood has a long history of turning out great movie musicals. But, for anyone that saw Alicia Silverstone bomb at the box office with Love’s Labour’s Lost, you know it can often go the other way, too.  Will Paris find lasting musical movie success? The truth is, Hilton’s voice isn’t going to win any prizes…but her star power is probably enough to keep even the worst musical movie from failing. After all, millions did tune in to see her on Larry King.

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Read More | E! Online

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