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Box Office Breakdown: A Bloody Good Debut for New Moon

New Moon

After months of endless promotion, finally opened this weekend to monster-sized numbers. But how exactly did the film compare to the other theatrical giants?

  1. Despite earning over $142 million since midnight Thursday, the adaptation’s debut still falls behind The Dark Knight ($158.4) and Spider-Man 3 ($151.1 million).
  2. The sequel did, though, beat Knight for the best first day open ($72.7 compared to $67.2 million).
  3. It had the largest midnight opening ($26.3 million) to date. (Harry Potter and the Half-Blood Prince grossed $22.2 million.)
  4. Moon also topped Harry Potter and the Goblet of Fire‘s 2005 November debut ($102.7 million).

Click to continue reading Box Office Breakdown: A Bloody Good Debut for New Moon

Read More | Variety

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Monopoly: The Stupidest Movie Ever?

Monopoly

(I might normally preface the information I’m about to share with a disclaimer, a statement saying that this is not a joke. The truth is, I’m not so sure about that this time…and frankly, I am truly hoping that it is a joke - perhaps some press stunt or some such thing. In either case…)

According to recent reports, is moving forward with a film based on the popular board game Monopoly. Ridley Scott, who’s behind such movies as Alien and Gladiator is going to direct. But just wait! That’s not even the outlandish part.

Click to continue reading Monopoly: The Stupidest Movie Ever?

Read More | LA Times

Box Office Breakdown: Christmas Carol Wins, Precious Soars

Disney's A Christmas Carol

We’re still weeks away from Thanksgiving, but theatergoers already have Christmas on their minds.

, the umpteenth version of the Charles Dickens tale, brought the story back to life with a visual rendition. Robert Zemeckis’ latest holiday creation earned over $30 million, surpassing Polar Express’ open by $7 million. Although the Jim Carrey film didn’t come close to its reported $180 million budget, Carol still has weeks to go before Avatar takes over 3D screens.

Meanwhile, a film with no bells or whistles made an impact just outside the Top 10. , Sundance’s Audience Award and Grand Jury Prize winner, broke a record while in limited release. The 12th place entry averaged a whopping $104,025 this weekend over only 18 theaters. That’s the largest per screen average for any film opening in more than 10 locations.

Click to continue reading Box Office Breakdown: Christmas Carol Wins, Precious Soars

Read More | Variety

Box Office Breakdown: That Was It for Paranormal Activity

Michael Jackson's This Is It

Based on the numbers from the past week, it looks like This Is It should remain in theaters longer than two weeks. Oh wait - it will.

Since opening late Tuesday night, the concert film has generated a total of $34.4 million domestically - $23.2 million just over the weekend - and approximately $101 worldwide. Although Michael Jackson technically didn’t beat the opener for Hannah Montana & Miley Cyrus: Best of Both Worlds Concert Tour (that entry earned more over 5 days), had the best international debut ever for any concert film.

Sony’s win meant a short victory for . After a steady climb, and only 1 week at the top, the horror film slipped down to second place. Of course, the word-of-mouth hit has nothing to complain about. Not only has the movie grossed $84.6 million to date, it also had the best per screen average of any Top 10 charter.

Click to continue reading Box Office Breakdown: That Was It for Paranormal Activity

Read More | Variety

Box Office Breakdown: Saw Outdone by Paranormal Activity

Paranormal Activity

Have audiences seen enough Saw?

Although Jigsaw is known for slaying his competition, the serial killer was no match for Katie Featherstone and Micah Sloat. This weekend, those two unknowns saw their small project, , finally top the box office charts. The movie, which was produced for approximately $15,000, reached that position after a steady climb up the ranks. (Aren’t films supposed to go down?) The horror flick also had a higher per screen average than any entry in the Top 10 despite fewer engagements.

Click to continue reading Box Office Breakdown: Saw Outdone by Paranormal Activity

Read More | Variety

Box Office Breakdown: The Wild Things Are #1

Where the Wild Things Are

Who knew a 10-sentence long story could do so well?

It may have taken over three years for Where the Wild Things Are to officially debut, but the long journey was apparently worth the wait. The Spike Jonze project, which was once rumored to be too scary for children, finally unfolded over the weekend and soared to first place. The Maurice Sendak adaptation, which earned approximately $32.7 million, also gave Warner Bros. its best October open ever.

Even though Gerard Butler didn’t bother to promote during his recent Saturday Night Live stint, the film managed to survive on its own. The actioner, which also starred Jamie Foxx, raked in just over $21 million and won a close race for 2nd place. Meanwhile, word-of-mouth hit Paranormal Activity grossed another $19.6 million and moved up one rung to the third spot.

Click to continue reading Box Office Breakdown: The Wild Things Are #1

Read More | Variety

Box Office Breakdown: Audiences Escape to Couples Retreat

Couples Retreat

Depending on how you look at the numbers, the winner this weekend was either or Paranormal Activity.

In the comedy corner, we have a Peter Billingsley-directed film that earned $35.3 million and a first-place finish. The movie - which combined the efforts of Vince Vaughn, Jon Favreau and Jason Bateman - pulled in the best numbers for any Columbus Day weekend entry ever. It also gave Vaughn his 2nd best opening behind The Break-Up.

Meanwhile, on the horror front, made a huge splash despite being in limited release. The Blair Witch-esque movie scared up a shocking $49,000 per screen average. It also raked in nearly 500 times more than its budget. (It only cost less than $16,000 to produce.)

Click to continue reading Box Office Breakdown: Audiences Escape to Couples Retreat

Read More | Variety

Box Office Breakdown: No Sluggish Start for Zombieland

Zombieland

Watch out, vampires…there’s still life in the other undead.

Although he was previously known as a director for Jimmy Kimmel Live, Ruben Fleischer now has a new title: box office champ. This past weekend, Ruben saw his first major feature, , attack the competition with a $24.7 million debut. The movie - which only cost approximately $24 million to make - had the highest open for any zombie-themed flick since Dawn of the Dead in 2004.

Meanwhile, another director had an entirely different result with her debut feature. , a roller derby comedy helmed by Drew Barrymore, rolled into 6th place finish with only $4.7 million. (When your film’s been topped by Pixar entries from 10+ years ago, there might have a problem.) Hopefully in a few more weeks, the Ellen Page vehicle will at least cover its $15 million production tab.

Click to continue reading Box Office Breakdown: No Sluggish Start for Zombieland

Read More | Variety

Box Office Breakdown: Meatballs Rolls to Another Victory

Cloudy with a Chance of Meatballs

was no substitute for meatballs.

Despite competition from a Bruce Willis film, a music-based remake and a sci-fi horror entry, remained the theatergoers’ order of choice for the second week in a row. The children’s book adaptation had Sony dining to the tune of $25 million—over $10 million more than the second place finisher.

Many thought Willis, who hasn’t had a major role since 2007’s Live Free or Die Hard, was on track to take first this weekend. Unfortunately, his

hair

movie was considered a big letdown given its $15 million gross and $80 million budget. Meanwhile, , a remake of the 1980 hit, had no one feeling like they wanted to live forever. The MGM feature only rung up $10 million for third place.

Click to continue reading Box Office Breakdown: Meatballs Rolls to Another Victory

Read More | Variety

Live-Action Barbie Movie in the Works

Barbie to make her debut on the big screen?

Despite what we were telling ourselves, we all knew that this was inevitable upon the release of GI Joe: Rise of Cobra: the Barbie live-action movie.

Can you believe we’ve made it fifty years without seeing her on the big screen? Yeah, me either.

So who’s the lucky studio who is bringing her to the silver screen?

Click to continue reading Live-Action Barbie Movie in the Works

Read More | New York Daily News

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