How can it be anything other than a great week when the internets are packed with Malin Akerman swimsuit pictures, an appreciation of classic Superman artist Wayne Boring, a look at best and worst futuristic cop cars, British comics legend Leo Baxendale talking about himself and Bash Street, and Shaolin Robots? Well, it just doesn’t get any better. Read and click your weekend away!
WATCHMEN’S MALIN AKERMAN: The boys (and girls) over at Short List know exactly what fanboys want. They’ve put up a five-click gallery of Malin Akerman (you might know her as Silk Spectre from Watchmen) in the latest swimwear. She looks like she eats right, gets her precious eight hours of sleep, and exercises. It’s the next best thing to Watchmen 2.
BATMAN needs your help! So does SUPERMAN. And AQUAMAN. And even GREEN LANTERN could use a little bit. What’s going on? Is it some sinister plot? A new multi-title crossover? Or worse, another relaunch an old favorite? Nope. It’s DC Comics and they appear to be looking for someone just like you. According to the Time Warner website, there are two positions available in DC’s New York offices. One pays, and the other doesn’t, not even in Target gift cards.
Let’s go to the free job first: A CREDIT-ONLY INTERNSHIP at DC COMICS CREATIVE AFFAIRS department. It’s a general office-duties sort of gig, with a lot of organizing and database searches, but it has an awesome perk: you’ll get to read incoming movie scripts and treatments for upcoming DC-based movies. Oh, and you’ll be in charge of organizing the mysterious and thrilling “comic book closet.”
So if you’re heading into your Junior or Senior year of college and want to move into the creative end of film and television business, this sounds like an easy A on your report card. But it’s also a hugely confidential non-paying position, so don’t ask, don’t tell.
Now for the paying gig: A COORDINATING EDITOR for the DC EDITORIAL DEPARTMENT. You’ll be setting up a ton of meetings with the various DC departments, manage the DCU schedule, and reassign the work of late creators, as well as being the primary DCU contact for talent relations. You’ll also be in charge of coordinating all the stuff for Diamond’s Previews catalog, supervise the credit-only interns (see above listing) and coordinate with the Comics Code Authority (hey, they’re still around?).
There are a lot of requirements, but one of the cooler ones is the ability to travel to various conventions, presumably on DC’s dime, unless you have your own super-powers. Good luck, job-seekers!
Both jobs were posted in mid-April so time may already be running out. Get that resume polished and in.
Craig Yoe has a knack for putting out great books – the second you hear the title of one of his books, you’ve just gotta have it. From BOODY: The Bizarre Comics of Boody Rogers (which will be published by Fantagraphics Books on March 1) to Clean Cartoonists’ Dirty Drawings which was published last October by Last Gasp, you know that Yoe is dealing with fascinating lost, forgotten or secret aspects of comic book/comic strip/cartoon history. Yoe has the gift, yo.
His latest book is Secret Identity: The Fetish Art of Superman’s Co-Creator Joe Shuster, and the material inside is quite a find. You can read online about the financial difficulties Jerry Siegel and Joe Shuster encountered once they sold Superman to DC Comics and pursued options to get a piece of the multi-million pie their creation was soon to become. But by the 1950s, artist Shuster needed money. He took a job doing fetish illustrations – bondage, S&M, you name it - for an under-the-counter magazine called Nights Of Horror. There’s a sneak preview available online which is probably NSFW.
The whole sordid enterprise involved not just Shuster and the magazine, but a murder trial and Fredric Wertham (author of Seduction Of The Innocent). Oh, what a tangled web Yoe has uncovered! And you know you’re in good hands. Yoe’s won the Gold Medal from the Society of Illustrators, two Addys, the Mobius, and an Eisner Award and he’s got mad design skills as well.
The 160-page hardcover is scheduled for release on April 1 from Abrams ComicArts. Stan Lee wrote the introduction.
I really don’t know what to say. Final Crisis 7 is a perfect summary of the Final Crisis series. It reads like a plate glass window smashed by a sledgehammer. Every scene is a piece of shattered glass that tries to re-assemble itself back into a window. Whether it was successful or not is your opinion (by the way, check out Dave and Joel‘s opinions). I apologize for the jumpy nature of this review, but this issue is going to require a lot more re-readings before I comprehend everything.
At the end of my review for “Final Crisis” #6, I said that I wasn’t going to pick up the last issue of the series. However, since I write for Comix 411 in my spare time and I’m always looking for something to write about and I decided to bit the bullet and buy it so I can give my review. So what can I say about “Final Crisis” #7? Well…I didn’t like this one either. I just don’t get why some people think this has been a good story.
I consider myself to be a fairly intelligent person. I graduated from college with a degree in English; I received a masters degree in library science; I can follow along when something is a little bit deep, but I don’t think this story was at all deep or even just over my head. I just think this was a bad story.
As with my previous review, I will be talking about some details within this issue. If you don’t wish to be spoiled, do not read any further.
After months of waiting, the second installment of Superman Beyond has arrived. For those that don’t read the series or forgot what happened in the previous issue, during “Final Crisis” Lois Lane was caught in an explosion and is dying. The only way Superman can save her is by embarking on an epic quest to obtain an elixir of bleed (think: elixir of life). On his fantastic voyage through the multiverse Superman encounters alternate versions of himself - the Earth-S Captain Marvel, A Nazi Superman, Captain Adam (Doctor Manhattan), and Ultraman - saves “Comic Book Limbo”, and does battle with Mandrakk the Dark Monitor. Whew, did I miss anything?
Anyway, this issue begins with Comic Book Limbo under siege and Superman rallying forgotten heroes like Merryman to its defense. Once that is finished it’s time for Superman to enter the world of the Monitors and defeat Mandrakk to obtain the elixir.
Look! Up in the sky! It’s a bird! It’s a plane! It’s…a children’s book about Jerry Siegel and Joe Shuster, the creators of Superman. Marc Tyler Nobleman published his first book in 1996 and is the author of over 70 children’s books, including the recent Boys of Steel, the story of how Jerry Siegel and Joe Shuster came to create Superman back in the 1930s. It’s the behind-the-scenes story of their struggle to create the Man of Steel and to get it published, all while never letting go of their dream. Best of all, Marc uses Siegel and Shuster’s own words, culled from interviews with both creators in fanzines, magazines and newspapers.
Published by Knopf, “Boys of Steel” just won the prestigious Kirkus Reviews “Best Children’s Book” Award for 2008. In addition to “Boys of Steel,” Marc’s current book is “What’s The Difference?” a whimsical reference for teens and adults that explains the distinctions between things we often confuse, such as geek/nerd, alligator/crocodile, vanilla/French vanilla, democracy/republic, and rap/hip-hop.
TOM: First off, how big a comics fan are you?
- Okay, in JLA 28 we have this character named Starbreaker. He devours the energy of planets and sends heralds out first. Now I realize there are a few differences, but haven’t we seen a similar character over in Marvel? Galactoid, Galacman, Dark Galac…something like that.
- I actually liked Dark Avengers. This is the way to set up a new storyline. Each replacement of an Avenger is recruited based on their powers in a nice orderly way. After trying to slog through Final Crisis this story seems so straightforward that it is a great relief. Starting a storyline at the beginning - a novel concept! And Mighty Avengers, also plunging into a new storyline was pretty much linear too. To have two Avenger books that have easy to read stories in the same month… Christmas is 11 months early.
- But Superman 3D is beyond awful and in a universe all its own. I guess I could try to re-read part 1 to have any hope of figuring this out, but life is too short. Who the hell are all these people? And why do so many entities want to destroy everything? Is it the characters or the writers that have deep-seeded psychological problems? The DC Universe needs its own Doc Sampson.
- There are so many factions running around trying to kill each other and conquer each other in Guardians of the Galaxy that it could get confusing, but luckily, we have Rocket Racoon to keep everything on the straight and narrow. And Cosmo the dog is just too precious.
- Over in Astonishing X-men besides all the regular mutants, we have Triploids (mutants with three-stranded DNA) and mutants from a parallel universe. Gee, weren’t we supposed to be down to 198 mutants plus one baby. And speaking of babies, wasn’t X-Factor off the weirdness chart?
- Emma Frost and Namor? Who knew? I am not sure if this book raised or lowered my mental IQ, but did I ever mention the sex quotient has really gotten more blatant in comics? Still, on a purely prurient basis I loved it. And it actually blends into the entire ILL-illuminati story line. And it has lots of sex in it. Or did I already say that.
“Final Crisis” is garbage. There I said it Grant Morrison fans. I can’t believe there are people who defend this man and say his work on “Batman” and “Final Crisis” has been great - they’re not. But that’s not why we’re here. We’re here for a review of the 6th issue of the “Final Crisis” mini-series which features the final fate of Batman.
For those of you who haven’t read it yet, do not read any further. I can’t review this issue without revealing that piece of information.
Holy crap was that a good issue! This is the final part to the “One World Under Gog” storyline. Normally I don’t have the time to write a review for things so quickly after I read them, but I had to on this one. Geoff Johns and Alex Ross just hit a monster home run on this one. Normally when I read comic book storylines, I’m never quite satisfied with the ending. Sometimes the story starts off good and ends badly or the ending ends up being just okay. Not this one, this was one of the best endings to a comic story arc I’ve read in a long while.
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