Here's a comic that might be flying under your personal radar that I think merits a look. Mighty Samson is part of Jim Shooter's Gold Key revival at Dark Horse (which also includes Magnus, Turok and Dr. Solar) but it's the only one of the bunch that was never part of Valiant.
This relaunch of the classic character is spearheaded by Shooter and his co-writer J.C. Vaughn, and illustrated by Patrick Olliffe (who does pencils and inks).
Set 500 hundred years after the end of the world in a now-primitive city known as N'Yark, Mighty Samson is filled with "mutated monsters, marauders, and savage subhuman predators." From the ashes of those ruins rises a super-strong champion, Samson, who will defend and protect his piece of the apocalypse from all comers, including the barbarian hordes from across the bridge in Jerz.
It's N'Yark vs. Jerz – a battle as old as time itself! I'm biased because I've met Shooter a couple of times, I'm friends with J.C. Vaughn and I used to work on projects with Patrick Olliffe. That's one heckuva bias, but I also know they can bring the goods, so I'm in.
Here's an interview with Dark Horse editor Chris Warner talking about the series.
And here's a preview of the interiors of the first issue that's on sale now.
Now go and get yours and let me know what you think.
[Artwork: Patrick Olliffe's cover Mighty Samson #1]
It’s the week before Christmas for many people, and we begin, unfortunately, on a sad note. Veteran industry colorist Adrienne Roy passed away this week. ComicMix has the details of her long-running career as a colorist for hundreds of DC’s Bronze Age comics. I did not know that she was once voted "Most Beautifully Tattooed Female." She was well-known and highly-regarded, so there are certain to be other remembrances - like this one by Mark Evanier - around the internets.
Cowboys: Robert Orci talks about the upcoming Cowboys & Aliens movie, and Harrison Ford: “I’m assuming Spielberg called in some kind of a favor, because we were shocked to hear that he was interested.”
Crime: Novelist and funnybook writer Gary Phillips chooses his favorite crime and mystery graphic novels of 2010 for The Rap Sheet. Yes, Darwyn Cooke’s Parker: The Outfit is in there, but so’s a bunch of other cool stuff I need to check out now.
One of my favorite comics back in the 1980s was an independently produced gem called Eagle from writer Jack Herman and artist Neil Vokes. Neil’s carved out quite a career for himself since then working for all of the big publishers and becoming a fan favorite.
Coming up in February, Neil teams up with writer Roger Stern (Amazing Spider-Man) for a Dr. Strange one-shot called Doctor Strange: From The Marvel Vault #1.
Going back into the continuity archives, this issue tells the story of Dr. Strange’s first night in the house that would become his Sanctum Sanctorum for many years (the weird old brownstone at 177-A Bleecker Street in Manhattan).
Marvel’s solicitation copy says “But what eerie secrets does the building hide? What lurks within its walls? Is it...haunted? Now, at last, the full story of Doctor Strange's first night in his Sanctum Sanctorum stands revealed.”
Hopefully, Dormammu will make an appearance behind one of the doors!
Vokes has a nice, spooky style that’s perfect for Dr. Strange and since the story is set back in the Manhattan of the 1960s (the Ditko version of Manhattan), I wanted to find out more.
Movies, TV, and video games! This week had it all. And even some stuff about comic books. Let’s take a look:
Star Blazers: There’s a new live-action Star Blazers movie coming, and Forces of Geek has 7-minutes of it. You know you want to see it, twice.
Mike Grell: Here’s a short interview with the writer/artist on Warlord and Jon Sable Freelance. “Grell plans more with his popular Jon Sable character and has hopes that Starslayer may make its way to the movies.”
New Comics Friday: Gary Tyrrell at Fleen catches up on some webcomics he was previously unaware of.
Raven: Comic Book Resources is reporting that the CW is interested in a TV series on the mysterious Teen Titans character. This is a way better idea than Aquaman or Green Arrow. I also like it because that means my pal Marv Wolfman gets some checks (as does George Perez) for creating her.
I spent Thanksgiving outside the US this year so I’m stuffed with stir-fried shrimp and chocolate ice cream, which made for an excellent breakfast of leftovers, because that's just how I roll.
If you’re out and about shopping now for the holidays, here’s the best Holiday Shopping Gift Guide you’re ever going to need for the 2010 credit card season, courtesy of Tom Spurgeon at The Comics Reporter.
Let’s see what else is going on:
Green Lantern: If you’ve been in awe of the new Ryan Reynolds trailer for Green Lantern, there’s at least one person with an alternate view worth reading: Ricky Sprague at Project Child Murdering Robot. “The Green Lantern Corps is their ‘muscle,’ enforcing their rules of righteousness. They take creatures from various parts of the universe and have them fight 'evil.' There are lots of different GLs, made up of different species from different planets. You can see where this is starting to get lame.”
Thank you internets, you’ve been great this week. So let’s share that bounty with others:
Mighty Samson: Writer J.C. Vaughn has a preview of Mighty Samson #1 at his blog. Shooter’s involved, Patrick Olliffe is the artist. Dark Horse is the publisher. I’m in!
Here’s a little more about the series at Comic Attack.
Shadow: Novelist James Reasoner has a Forgotten Book that’s a must have for fans of Maxwell Grant’s The Shadow: Gangland's Doom: The Shadow of the Pulps, by Frank Eisgruber Jr.
British Comics: Matthew Murray at Comics Beat goes all out for the new Dandy and breaks down its contents.
Peanuts: Zach Weiner finally lets Charlie Brown kick that football.
Peppers: Mark Evanier lives the sitcom life.
3-D: Ricky Sprague at Project Child Murdering Robot tells how Marvel Comics (in 3-D!) turned him into an atheist. Bonus: 3-D artwork on the internets!
I’m always the last to know.
I knew of Peter Steiner’s work as a cartoonist because he’s had something like 400 cartoons published in The New Yorker over the years. And I’ve probably seen most of them. He has a loose, fun style that’s classicly New Yorker-ish and his gags are very funny.
Then I found out that he’s also a writer of books as well. Only he’s not writing comic novels about summers in Connecticut or the party crowd in the Hamptons. He’s doing a 180 from his cartooning and he’s writing, wait for it, spy thrillers.
And he’s got not one, not two, but three of them, including his latest that came out earlier this year called The Terrorist. It shouldn’t surprise me, but maybe I’m a cartoon bigot who expects cartoonists to only do funny things.
I’m over that now, and I accept that cartoonists can also be writers of thrillers, science fiction novels, and historical mysteries, or even drive cabs or fix leaky drains. I certainly didn’t complain when I found out that New Yorker cartoonist Bruce Eric Kaplan (BEK) was writing for Seinfeld and producing Six Feet Under.
Remember that whole digital thing that’s supposed to knock off the printed comic book? Oh wait, that’s still happening!
If you want to be part of the industry now that we’ve passed “peak comic book,” ComiXology the “digital comics leader” is looking for a couple of new people.
First up is a LAMP Developer, someone with “2+ years of experience with Linux, Apache, mySQL and PHP. Additional experience with AJAX/JavasScript/HTML5 (jQuery), XML, HMTL, XMLRPC, SOAP and other development environments is preferred.”
Doesn’t everyone who’s not there wish they were at the New York Comic Con this weekend? Or is it just me?
Big announcements all across the board. Marvel and DC are cutting prices which won’t boost sales enough for the Big Two to make the same amount of money. But it’s good news for non-Big Two publishers who can try to tap into the money customers are saving and steer it their way. I’m looking at you Boom!, Dynamite, Moonstone and IDW.
DC’s also cutting the story count down to 20 pages. Since there aren’t that many paid ads anymore, anyone want to wager on when the $2.99 printed comics go from 32 pages down to 24 to further reduce costs?
And in the wake of his supervisor stepping down, Bob Wayne‘s been given a promotion and stays in New York. Well played.
At Project Child Murdering Robot, Ricky Sprague has some thoughts about the new Wonder Woman TV series in development by David E. Kelley (Ally McBeal; Boston Legal). His advice: “Please don’t shy away from her glorious bondage past.”
Toasting Toth: Who doesn’t love Alex Toth? John Kricfalusi posts panels from a really nice story and breaks down his love for it.
Toth II: Daniel Best at 20th Century Danny Boy has some great information of Alex Toth and the artist’s time in Australia. Bonus: lots of Toth artwork.
Sad news in the world of television and novels. Stephen J. Cannell, one of Hollywood’s legendary writers has passed away. The list of shows he worked on and created is legendary. Comic fans might know him best from The Greatest American Hero. He mentored a number of famous writer-producers, much like Roy Huggins had mentored him. When he got tired of television, he reinvented himself as a novelist – the ones I’ve read are quite fun – and actor (he had a somewhat recurring role on Castle). Jaime Weinman has a nice appreciation of one of my favorite writers.
The Flintstones: Now that they’ve turned 50 years old – yikes! – the classic Hanna-Barbera cartoon show has attracted a lot of media attention this week. Jerry Beck at Cartoon Brew noticed the coverage…particularly how stupid the Christian Science Monitor was about it.
Appy: It’s not too late to check in with the Appy Entertainment blog and see what I and two friends have to say about the digital age of comics.
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