Tapulous, the iPhone add development company that built it’s name on the back of Tap Tap Revenge, has been purchased by Disney. Tapulous set up shop in 2008, and purchased the rights to Tap Tap Revenge from creator Nate True. They ventured into some other areas, releasing two Twitter clients (Twinkle and Tweetsville) that never really took off, photo sharing app Fortune Cookies, and info exchange app FriendBook, that they quickly pulled due to security concerns (it’s back now.) From there, they forged full steam ahead with multiple variants of Tap Tap Revenge, with two sequels, a bunch of downloadable song packs, and tons of artist-exclusive versions. Riddim Ribbon came later, which was just another rhythm-based music title with different play mechanics. Thing is, Tap Tap Revenge has consistently been a top-seller in the App Store, and Disney must have realized the potential of the brand. Tapulous will likely become a part of Disney Interactive.
Since Nate True is a personal friend of ours, and we knew Tap Tap Revenge would be a huge hit way before Taplulous even knew it existed, we wanna throw out a big congrats to him. Nice work!
Read More | Mashable
With Disney‘s dominant force among television airwaves (Disney Channel, ABC, ABC Family), it’s no wonder that one of the first moves the company does with its newly acquired Marvel characters is get them on the small screen.
Earlier today, Marvel Entertainment announced the creation of their new TV department, and they’ve appointed comic book and television writer (Heroes, Lost) Jeph Loeb as the executive vice president. Loeb’s duties include “overseeing the development of live-action and animated Marvel TV series.”
“I couldn’t be happier to accept this new position at Marvel Entertainment, working with both Dan [Buckley] and Alan [Fine] to deliver exciting, cutting edge television projects. Marvel continues to break new ground in storytelling in both their comic book and film ventures, so, along with everyone here, I’m excited to bring the same brand of excitement into homes across the globe,” Loeb said of his new position.
Perhaps most importantly, does it disappoint or excite you that this guy penned Commando and Teen Wolf?
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It’s a slow summer hiring season, boys and girls, and I imagine it’ll stay that way until at least the fall. But I’m no analyst, just a doofus with a blog.
If you are an analyst, however, you might find a home at Marvel Comics’ New York office. They’re looking for a Junior Publishing Data Analyst who’s “dedicated and highly-motivated” and can “create publishing projects” such as comic books, collections and marketing materials.
Unfortunately, they only want you on a temporary full-time basis with this qualifier: “This a basic yet very important data entry position that is looking for a detail-oriented and analytical person.”
If selected, your primary mission will be to edit and maintain titles, presumably on a database program not as a hands-on comic book editor. Also you’ll arrange “printing vendor assignments, item categories, pricing and book types,” as well as title schedules and making sure that everything is entered properly so the Sales Department can create those vital “financial forecast reports” that are the lifeblood of a publicly held company like Disney, I mean Marvel.
To create the Ultraverse, Chris Ulm convinced seven comic book creators to meet him and Malibu’s editorial staff in Scottsdale, Arizona back in September 1992. Malibu Comics’ Ultraverse flew into print in June 1993, led by those seven: Mike W. Barr, Steve Englehart, Steve Gerber, James Hudnall, Gerard Jones, James Robinson and Len Strazewski.
You know it’s going to be a bad week when one of the most beloved fantasy artists passes away. He was absolutely one of my favorite artists and one of the first artists who, like Jack Kirby, could get me to buy pretty much anything with his name on it.
Tom Spurgeon has an excellent overview of the late artist’s career. “Frazetta’s art on the Warren Magazines Creepy, Eerie and eventually Vampirella combined some of the pulp tendencies for which he was soon to become very well known with a sense of classic horror. They remain some of the company’s most iconic pieces of art.”
Viz Media: I often post job listings here for Viz Media, the longtime manga publisher in San Francisco – longtime as in they’ve been doing it since it wasn’t quite so cool to do it. So I was saddened to hear that they let go more than 50 of their staffers. That’s, I think, the largest layoff of comics professionals that I can remember and certainly the largest in recent years. I hate to see that kind of thing happen, and I wish everyone the best as they figure out what to do next. Heidi MacDonald at Comics Beat recently posted this link from Dan Blank’s website; I’ve practically memorized it.
Read More | Comics Beat
I fought the law and the law won. Because I am not the law. And I didn’t really fight them because I was wrong. Recently I was editing a script for an episode of an animated TV show that featured a singing frog. Well, to be more precise, the frog doesn’t sing at all, but his croaks are treated as if they come right out of Pink’s mouth.
For a long time, the frog character didn’t have a name, but when it came time to give him one, I thought it would be funny – and a nod to my old pal Steve Gerber – to have this non-singing amphibian called (you guessed it), Garko. Published by Marvel Comics, the Howard the Duck story that pits the cigar-chomping mallard against Garko The Man-Frog is one of my favorite Gerber (and Howard) stories of all time.
Is everyone ready to read Bluewater’s J.D. Salinger comic book on the iPad? Now that’s a game-changer I can believe in! Let’s see what I’ve got on my desktop this week:
Apple’s iPad: Apparently Apple changed the game with some kind of game changer that’s supposed to be the Jesus of print that’ll save newspapers from their own stupidity and ineptitude and also change the way we read comics and make a BLT just the way I like it and find me a room at Comic Con International. Tom Spurgeon at The Comics Reporter coalesces his thoughts on the matter. Me? I’m waiting for the iPad with wings.
Plastic Man: There are other places that are dropping it, but my favorite is over at John Kricfalusi’s blog. He’s imbedded the 10-minute Plastic Man pilot that was created by Tom Kenny (the voice of Spongebob) and Stephen DeStefano (simply one of the great modern cartoonists, and co-creator/artist of the much-beloved ‘Mazing Man). Says John: “It’s a real cartoon and you can tell the creators like the audience. It sure stands out from most of what’s out there.” Go check it out.
I have an ugly confession to make. My favorite Dennis the Menace comics aren’t the individual panels from the newspapers. They’re the stories that appeared in Fawcett’s Dennis the Menace comic books, and they weren’t done by Dennis’ creator Hank Ketcham. Oh, sure, his work on the newspaper comic is great, but I like the comic books better. It was only later that I found out these favorites of mine were done by writer Fred Toole and artist Al Wiseman.
Back in 1964, a company named Allied Publications put out an oversized, saddle-stitched magazine with the very unwieldy title These Top Cartoonists Tell How They Create America’s Favorite Comics. It featured an introduction by Beetle Bailey’s Mort Walker and was compiled by Allen Willette.
39 cartoonists were profiled, one per page, and it appears that the cartoonists themselves were responsible for their own write-up. This is the one Fred Toole wrote about Ketcham and Dennis. Toole is identified as being “in charge of Public Relations for Hank Ketcham.”
“Henry King Ketcham was born in Seattle, Washington, March 14, 1920. His interest in drawing goes back to the time he was seven years old and used to watch a family friend make cartoon doodles. Hank proceeded to make cartoons himself all during his school years. After a year at the University of Washington, where he was an art major, Hank went to Hollywood to work as an animator in the Walt Lantz studios. Later, at the Walt Disney studios, he worked on several major Disney productions.
A lot has happened internetally while I took my afternoon nap, and there’s good stuff from old-school fan favorite Catwoman Julie Newmar, Tom Richmond talking about caricatures and Jesse Santos’ Doctor Spektor. Dig in:
Catwoman: No getting around it, to men of a certain age, Julie Newmar was the Blake Lively of her day. Now she’d like you to talk dirty to her. She’s putting together a book of confessions from men proudly unashamed to admit that she created a stirring in their Batman underpants when everybody was much younger. Says Newmar to the Globe and Mail: “Suddenly, walking straight to me was the grandfather, his voice and eye seductively nailed to me. ‘Miss Newmar. You were my first turn-on.’ For the father, it would be improper, and the boy hadn’t reached the age where it was of interest to him.” No doubt Diana Rigg, Yvonne Craig, Joey Heatherton and Nancy Sinatra have similar stories. Although you probably stood a chance with Heatherton. The interview is a lot of fun, and Newmar is looking for stories just like yours. There’s an email address at the link for you to participate.
Happy holidays! Gravy is the Giant-Size X-Men #1 of my family and I’m so stuffed that my stuffed fingers keep hitting double keys. So I’ll celebrate with a shortened post for the holiday season.
First off, over at The Comics Reporter, Tom Spurgeon has the Ultimate Black Friday Holiday Shopping Guide to nothing but good stuff - sound recommendations for you, your friends and even your family. Highly recommended, if only to open discussions.
Virginia Comic Con: Scoop over at Diamond Galleries has some nice photos of the recent Virginia Comic Con up. Michael Golden, John Gallagher, Chris Claremont, Larry Hama, Louis Small, Chuck Dixon, Steve Conley, Alex Saviuk, and Billy Tucci were among those present who got their picture taken.
Skin: Over at the Forbidden Planet blog, Joe revisits an old favorite, Skin by Brendan McCarthy, Peter Milligan and Carol Swain.
Spider-Man: You know what I really want for Christmas this year? A Spider-Man action figure dressed like Chris Claremont circa 1981.