Remember that whole digital thing that’s supposed to knock off the printed comic book? Oh wait, that’s still happening!
If you want to be part of the industry now that we’ve passed “peak comic book,” ComiXology the “digital comics leader” is looking for a couple of new people.
First up is a LAMP Developer, someone with “2+ years of experience with Linux, Apache, mySQL and PHP. Additional experience with AJAX/JavasScript/HTML5 (jQuery), XML, HMTL, XMLRPC, SOAP and other development environments is preferred.”
A big week on the internets, so let’s get right to it.
For me, the big news is that my pal Jerry Bingham is illustrating a 5-part story in Batman Confidential, starting in issue #50 that went on sale this week. If you’re on the fence about it, here’s a multi-page preview of it that’ll make you wish Jerry drew more comics. Fans of Batman: Son of the Demon rejoice!
Batman: Over at Project Child Murdering Robot, Ricky Sprague comments on the upcoming Christopher Nolan Batman movie with some language that might be NSFW but SWR (still worth reading)! Bonus shout out to Batman: Year One: “It was among the first of the modern age comic book character reboots that now seem to occur every other year or so. Mr. Miller's hardboiled writing was at its peak, and Mr. Mazzucchelli is one of the best illustrators ever.”
Biff! Bam! Pow!: Bob Greenberger at ComicMix tackles the eternal question: Is Legends of the Superheroes any good? “You have to love kitsch, bad writing, awful acting, and comic books to enjoy (or endure) these specials.”
As one of the head number-crunchers, you’ll probably be reporting to Nairi Gardiner, who was just named Senior VP of Finance.
Working out of the Finance & Administration department, you’ll be crunching it numberwise for “assigned departments” and managing aspects “of financial planning and monitor operating results against plan.” So you’ll be grading people and their plans and seeing how well - or otherwise - they do.
It’s all budgets, forecasts, financial planning, revenue and expense templating, done with weekly updates so there’s no quarterly panic attack should the wheels fall off the wagon at some point.
Artist Irwin Hasen was the co-creator (with writer Gus Edson) of the long-running comic strip Dondi, the poor little orphan boy who never aged in his 30+ year run (1955-1986).
But Hasen’s career goes back to 1940 when he started in comic books, drawing for Harry "A" Chesler’s shop. His later work includes Green Lantern, Justice Society and Johnny Thunder for DC and he’s credited with creating one of my favorite old-school DC characters, Wildcat.
Now he’s the subject of a new documentary: Irwin: A New York Story that’s debuting as part of FilmColumbia in up in Columbia County (about two hours north of NYC) this weekend, October 24 at 1 pm at the Morris Memorial Theater.
In the midst of their ongoing restructuring, DC Comics needs another warm body. This time, it's an Executive Assistant in their Burbank offices. The ad is from Time Warner, the division is DC Comics, but the posting is for an Exec Asst in the E.C. Publications office.
I could be wrong, and the ad doesn't state it, but that's MAD Magazine for those not up on their copyright knowledge.
The position provides "administrative support to the President," and that means coordinating meetings, researching and compiling information into reports, handling T&E expense reports, taking care of all incoming calls (and probably the outgoing ones too) and my favorite job responsibility: "other related tasks.
One of the bonus responsibilities is that you'll be interfacing "with talent, filmmakers and creative rights-holders as necessary in support of President and/or division executives."
Gee, what movie should I see this weekend?
I could, of course, see Jackass 3-D because you can never see enough footage of people getting kicked in the balls. And in 3-D it might feel like I'm doing the kicking.
Hereafter looks cool, and I'll get around to seeing that shortly. Conviction has that kind of mid-October Oscar bait feel to it, where everyone is suicidal or finds salvation through tragedy or suffers from a tragic disease yet still finds time to teach us about life. But I'm not falling for that this weekend.
The New York Comic Con has come and gone for another year. And while you may not have been fortunate enough to attend, the spies who work for Comix 411 were there, watching, listening and recording. Here’s what they overheard.
10: “I wish DC and Marvel would drop their prices again.”
9: “Sold out?! In your face, San Diego!”
8: “I was promoted to VP of unemployment…”
7: “Is this the line for that Spider-Man musical?”
Read More | The Comics Reporter
Well that didn’t take long. After a long hiring freeze and just a couple of weeks after announcing a massive restructuring that would effect at least 80 of their 250 employees, DC Comics suddenly has two job openings for the right candidate. Only one of them is in New York, though.
First up, DC wants a Manager, International Sales for the DC International Rights department in Manhattan. You’ll be expected to “identify and implement international business opportunities (primarily publishing licenses) based on content and intellectual properties owned and/or controlled by DC Comics.”
Among your long list of responsibilities will be “researching territories and new international publishing opportunities” and “prospect, pitch, and negotiate international publishing licenses (in person, via telephone and in writing).” The “in person” part sounds intriguing if that means travel on the company dime.
Mark Waid says it best in the blurb he wrote for the book I most want this Christmas. Says the man from Boom! Studios: “I now have a new book for my ‘Five I’d Take to a Desert Island’ list. Gotham City 14 Miles is the perfect companion to my favorite pop-culture phenomenon of all time!”
In case you need an explanation, 14 miles is the distance from the Batcave underneath “stately Wayne Manor” to Gotham City in the 1960s Batman TV show starring Adam West and Burt Ward. Gotham City 14 Miles is the title of a forthcoming book of essays about that TV classic, edited by my pal Jim Beard.
Inside, Beard’s bunch offers up a thoughtful reevaluation of the 44-year-old show, one of the first big comic book successes on the small screen. The series had an impact not just on pop culture, but on the DC Comics Batman as well. According to Beard, “essays examine Batmania, camp, the role of women, the show’s participation in ‘60s counter-culture, its many celebrated actors, its lasting cultural effects, and other critical subjects.”
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