With DC’s rumored-to-be impending move to the West Coast, they certainly aren’t in a hiring phase (they’ll be in a shedding phase). But the sole remaining big-time comic book company in New York still looks for people to join the Marvel Employment Universe.
First up, mighty Marvel is looking for a Royalty Analyst for their Finance and Licensing Department in New York. It’s a data-entry gig where you get to “collect and analyze detailed royalty reporting and forecasts.” You’ll also be checking over contracts and how they impact royalty reporting, and working with “worldwide licensee accounting maintenance.”
This is a great entry-level opp for someone just out of college in the past couple of years. And if you “possess a keen willingness to learn, analyze and desire to enhance the licensing business team of Marvel” you could find a new post-college home.
On the opposite coast, Marvel Studios is looking for a System Administrator in their Manhattan Beach offices.
So once again, I’m going to the San Diego con. I mean, Comic Con International in San Diego.
Oh, I know what you’re thinking – the noise, the crowds, and oh all that non-comic book stuff. The cosplayers, the Twi-hards, the (gasp) movie and TV people. Well, I don’t care – I welcome them all. And if the hardcore funnybook fans need to bitch and moan that the con “isn’t about comics anymore,” well that just sounds like the nerd equivalent of “get off my lawn.”
Here’s a link to the con website that has all the programming events for each day. I took that list and sorted it by just comics-related programming and here’s the result. Honestly, there are so many that you’ll be the star of your own private Walking Dead mini-series before Friday’s over.
Marvel Comics is back at it again, looking for new people in non-editorial functions for their New York office.
First up: Customer Service Coordinator, which sounds much better than “Email Secretary,” but not as good as, say, “Digital Communications Coordinator.”
Your job here is to handle incoming emails and either answer them or route them to the correct departments, retrieve and send forgotten passwords to hapless Marvel.com subscribers, handle opt out requests, and issue reports based on the emails that you handle. There are a lot of other little tech-based things you’ll be doing, but if you’ve had some decent online experience, it’s probably nothing you can’t handle, right? Also, it puts you inside the Marvel office, and who knows what that can lead to.
Despite his hope to continue his superhero role, Edward Norton has been dropped from The Avengers.
A representative for Marvel Studios confirmed the actor won’t be reprising his role as Bruce Banner and his alter-ego the Incredible Hulk in the 2012 movie, claiming he can’t work as part of a team. President of production Kevin Feige told website HitFix.com:
Print is dead. And even if it’s not, it’s coughing up ink and it won’t return to the glory days of years gone by. You know the world is changing when even DC Comics is putting stuff on the iPad and iPhone. That’s like John McCain having a Twitter feed.
So I was encouraged when I came across these two job listings at Marvel Comics. Both are based in the digital world, which is where the print world is desperately trying to transition.
First up, Marvel is looking for a Senior Web And Mobile Application Developer. Marvel will be looking to you to enhance “its position in the web and mobile marketplace by extending already successful products and spearheading the development of new ones.”
Lots of technical responsibilities will be coming your way and, needless to say, some solid experience is required. But the whole enterprise sounds like a lot of fun and moving Marvel’s characters to a digital playground feels like building the future. Go forth, and let loose the resumes!
Gerry Conway co-created The Punisher, co-created Man-Thing, co-created Firestorm and wrote some of my favorite Marvel comics, including a long run on Amazing Spider-Man. When he successfully transitioned out of comics and moved into show business, I still followed his career as he worked his way up the ladder. He’s recently been writing and producing for the Dick Wolf Law & Order empire, specifically on Law & Order: Criminal Intent.
Talbot Mundy, author of King of the Khyber Rifles, influenced a who’s who of writers with his tales of manly adventure at the edges of the sun-never-setting British Empire in the early 20th century. Fans included Robert E. Howard, Leigh Brackett, Robert Heinlein and Fritz Leiber.
With Disney‘s dominant force among television airwaves (Disney Channel, ABC, ABC Family), it’s no wonder that one of the first moves the company does with its newly acquired Marvel characters is get them on the small screen.
Earlier today, Marvel Entertainment announced the creation of their new TV department, and they’ve appointed comic book and television writer (Heroes, Lost) Jeph Loeb as the executive vice president. Loeb’s duties include “overseeing the development of live-action and animated Marvel TV series.”
“I couldn’t be happier to accept this new position at Marvel Entertainment, working with both Dan [Buckley] and Alan [Fine] to deliver exciting, cutting edge television projects. Marvel continues to break new ground in storytelling in both their comic book and film ventures, so, along with everyone here, I’m excited to bring the same brand of excitement into homes across the globe,” Loeb said of his new position.
Perhaps most importantly, does it disappoint or excite you that this guy penned Commando and Teen Wolf?
Read More | Splash Page
It’s a slow summer hiring season, boys and girls, and I imagine it’ll stay that way until at least the fall. But I’m no analyst, just a doofus with a blog.
If you are an analyst, however, you might find a home at Marvel Comics’ New York office. They’re looking for a Junior Publishing Data Analyst who’s “dedicated and highly-motivated” and can “create publishing projects” such as comic books, collections and marketing materials.
Unfortunately, they only want you on a temporary full-time basis with this qualifier: “This a basic yet very important data entry position that is looking for a detail-oriented and analytical person.”
If selected, your primary mission will be to edit and maintain titles, presumably on a database program not as a hands-on comic book editor. Also you’ll arrange “printing vendor assignments, item categories, pricing and book types,” as well as title schedules and making sure that everything is entered properly so the Sales Department can create those vital “financial forecast reports” that are the lifeblood of a publicly held company like Disney, I mean Marvel.
Well, I reckon it was bound t’happen, pardners. Jonah Hex has opened to just a $5 million weekend, meaning that it’s officially been labeled a bomb. Too bad. Jonah was – and is – an iconic comic book property, the creation of John Albano and Tony DeZuniga. Maybe the filmmakers should’ve gone with a more traditional western approach like The Outlaw Josey Wales or 3:10 From Yuma instead of the steampunkian world of The Wild Wild West movie? Who’s to say what would’ve worked, but the new one sure doesn’t.
The problem now is that because Jonah Hex is based on a comic book (not a graphic novel as some lazy reporters simply retype) – but one that none of the general public has heard of before – it’ll get tagged as a comic book movie, and worse, a failed comic book movie. And finger wagging along the lines of “is the comic book movie fad finally over” will start appearing as breathless know-it-all headlines in newspapers no one reads anymore.
Read More | Deadline Hollywood Daily
Hey Librarians! Pack up your decimals of Dewey and head out to Washington DC, where all the cool graphic novels are going to be talked about. It’s the American Library Association’s annual conference, and it’s set for June 24-June 29. Early Word has the word on all the graphic novel programming just waiting for you.
Dave Simons: It’s been one year since the death of the acclaimed artist Dave Simons and his friend Daniel Best and 20th Century Danny Boy remembers him with stories and quotes, like this one: “Here is my recipe for a winning comic book cover: Flame. Gorilla. Skull. Hot chick. Other elements of interest: Nazis, dinosaurs.” I would totally buy Flaming Gorilla Skull Chick Vs. Nazi Dinosaur #1 from any publisher. Even at $3.99. I’ll even write it. And I wish Dave was still alive to draw it.
Superman Serials: The Bijou Blog takes a look at those Superman movies that most comic book fans don’t care about: the old serials like Superman and Atom Man Vs. Superman, starring Kirk Alyn. “His Superman seems stern at times, then happy-go-lucky, but also happens to take a sadistic glee in cracking two crooks’ heads together. The cape appears to give him some trouble. Alyn is seen to push it out of his way several times and he never runs while in costume, doing more of a ballet leap to keep from tripping.”
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