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Box Office Breakdown: Transformers Rises Above the Competition

Transformers: Rise of the Fallen

It’s not very often when “loud” and “mindless” are deemed good qualities. But in Paramount’s case, it was a recipe for success.

Over the past five days, did what most films have been attempting all year: It passed the $200 million mark. (Up just became the first 2009 film to hit $250 million.)

While the Michael Bay film is definitely on track to be one of the most successful entries this year (let’s not forget about Harry Potter), the sequel’s opening still takes second behind last year’s topper. During its opening run, earned $203.8 million domestically.

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Read More | Variety

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Box Office Breakdown: Audiences Agree on The Proposal

The Proposal's Ryan Reynolds and Sandra Bullock

It seems a little skin might just go a long way.

After weeks of talking to the media about their joint nude scene, Sandra Bullock and Ryan Reynolds saw their movie take the top spot. Was it a coincidence? Maybe. Whatever the reason, became the actress’ biggest opener ever. Prior to this weekend, 2007’s Premonition - a horrible film, btw - had Bullock’s largest debut. (That movie grossed $17.6 million, almost 1/2 less than the romantic comedy.)

Meanwhile, Reynolds is this week’s Bradley Cooper. Sandra’s leading man, like The Hangover star, has just had his second #1 film of the year. (The first being Wolverine.)

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Read More | Variety

Sequel News: Mission Impossible, Haunting in Connecticut and More

Mission Impossible 3

Here’s the latest scoop on the sequel buzz spreading across Hollywood:

Mission Impossible: Even though he could do just about anything he wants these days, Star Trek‘s J.J. Abrams will be returning to familiar territory. Three years after the debut of MI:3, the director has agreed to reteam with Tom Cruise on a fourth installment. (Apparently the actor wasn’t listening when I said he should stay away from this project.) Although they are both only listed as producers at this point, things could change for the busy men once a script is finalized. Paramount is currently aiming for a 2011 release.

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Read More | Variety

Box Office Breakdown: Hangover Hangs on for Another Win

The Hangover's Ed Helms and Heather Graham

This is one hangover that’s taking a while to recover from.

For the second week in a row, the must-see comedy of the summer has taken the top spot at the charts. The Hangover, which already had a greenlighted sequel prior to its debut, raked in another $32.7 million over the weekend. The film has now earned over $100 million and given Bradley Cooper his second #1 entry of the year. (His first was February’s He’s Just Not That Into You.)

Sitting in third place this week (right behind Up), was , a remake of a 1974 version starring starring Walter Matthau and Robert Shaw. The action thriller, which had Denzel Washington working with director Tony Scott for the fourth time, pulled in a respectable $23.3 million. Meanwhile, Imagine That, Eddie Murphy’s latest stinker, earned $5.5 million in wide release. That gross bests the premiere of Meet Dave by approximately $200,000.

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Box Office Breakdown: The Hangover Rises Above Up

The Hangover

Unlike most Mike Tyson fights, ‘s win was no knockout.

After a back-and-forth battle with Up, Todd Phillips’ film about an eventful bachelor party edged out the animated pic by less than $1 million. Hangover - which features no major stars (unless you count the boxer) - grossed nearly $45 million on its opening weekend. That’s the third best debut for an R-rated comedy ever. (Only Sex and the City and American Pie 2 have done better.)

Meanwhile, a project actually featuring an A-lister became the summer’s first stinker. , starring Will Ferrell, Anna Friel and Danny McBride, earned a sad $18.8 million over the past three days. Although that amount was good enough for third place, the film cost an estimated $100 million to make.

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Box Office Breakdown: Disney/Pixar Flying High with Up

Up

The word “Pixar” always seems to generate smiles, and that’s exactly what did for Disney.

Over the weekend, the Cannes Film Festival opener generated $68.1 million, over $40 million more than its nearest competitor. The movie - which was also offered in 3D - also bested last year’s Wall-E (by $5 million) and had Pixar’s 3rd-best debut. (The Incredibles opened to $70.5 million in 2004; Finding Nemo grossed $70.3 million in 2003.)

Friday’s other new wide release, , scared up only $15.8 million for a 4th place finish. Although it originally looked as if the horror film would surpass Terminator Salvation, the final numbers were $8 million below Sunday’s projections.

Another noteworthy mention: officially crossed the $200 million mark after only four weeks in release. The Paramount feature is now the first movie of the year to reach that achievement.

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Box Office Breakdown: Ben Stiller Defeats Christian Bale

Night at the Museum: Battle of the Smithsonian

Was it a result of Christian Bale’s rant? The presence of that other science fiction movie? Or the lack of family-friendly fare?

When the dust from the weekend settled, a surprising entry emerged as the winner. Despite the country’s current love for action sequels/prequels, a much calmer feature - - was the choice for entertainment this holiday. Ben Stiller’s comedy follow-up raked in $70 million giving the actor his best live-action debut ever. Smithsonian also became the best PG-rated opener for Memorial Day.

Museum‘s victory meant a disappointing 2nd place finish for . Although the saga’s fourth installment earned more than T3‘s debut, its $51.9 million gross ($65.3 million since Thursday) put it nowhere near the estimated $200 million budget. The numbers did give director McG, though, his best premiere since 2000’s Charlie’s Angels.

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Box Office Breakdown: Narrow Victory for Angels & Demons

Angels & Demons

was never as popular as The Da Vinci Code...and its big screen numbers reflected that.

Despite huge success with the overseas box office this weekend (the movie had the 10th best international open ever), the latest Ron Howard/Tom Hanks collaboration barely struck gold domestically. Over the last three days, Angels grossed $46.2 million—just enough for first place. Unfortunately, the Dan Brown adaptation only earned $3 million more than last week’s champ and over $30 million less than the previous installment.

, in the meantime, continued on its warp speed pace. The second place finisher pulled in another $43 million and put itself within $3 million of Wolverine‘s overall total. (The Hugh Jackman film, this week’s #3, had a 7-day head start on the sci fi adventure.)

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Box Office Breakdown:  Star Trek Beams Its Way to #1

Zachary Quinto in Star Trek

Based on these numbers, a sequel would seem like the logical response.

After a five-month delay, the highly-anticipated J.J. Abrams feature finally unspooled to an eager crowd. And though it didn’t outearn last weekend’s office champ, the science fiction adventure appeared to be in a galaxy far, far away.

Since it’s debut late Thursday night, Trek grossed approximately $79.2 million. (That’s nearly $3 million more than was estimated a day ago, but still $6 million less than Wolverine‘s premiere.) Around $8 million of Paramount’s haul came from IMAX ticket sales alone. (That figure bests the $6.2 million raked in by The Dark Knight last year.)

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Movie Review: Star Trek (2009)

Posted by David Torres Categories: Paramount, Science Fiction,

StarTrek

Rating: *** 1/2 stars

(Warning: The following review contains some spoilers.)

The world of in crisis! No, it’s not on the verge of dying due to the release of this film. Instead it’s on the verge of going in a whole new direction. In the 1980s, DC Comics published a mini-series entitled “Crisis on Infinite Earths”. If you are a comic book fan, you are aware of this series and know that it was written in order to say goodbye to DC’s old continuity and create an entirely new one. A new world was born. New stories were able to be told because the previous “universe” no longer existed. That is what has happened to the world of Star Trek.

In this film, there is a Romulan named Nero. Nero and his crew travel back in time and as a result create a new timeline. If you are a Trekker, I’m sure you remember the Star Trek: The Next Generation (TNG) episode entitled “Yesterdays Enterprise” in which the Enterprise C traveled into the future and created a new timeline. The timeline was later corrected and everything was back to normal, but that will not be the case here.

Star Trek as a franchise was certainly in a crisis prior to the release of this film. With the two previous Trek films received poorly by both fans and critics as well as the demise of the series “Enterprise” Star Trek looked dead. Many people felt that Star Trek should stay low for a while and maybe come back much later with an attempt at reviving the series. Paramount said no and went with and his crew and they have succeeded. This film was great. Tons of action; humor; heart breaking moments. I really enjoyed this film both as a fan of the franchise and as a movie on its own.

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