On Gear Live: Apple Changes the Mac Forever, iOS 14, and more w/ Guest Mark Gurman!

Box Office Breakdown: Takers Takes the (Close) Win

Takers movie

Although early reports had in first place this weekend, the final numbers told a different story. When the dust finally settled on Monday, Lionsgate’s had squeaked out a slim lead. (Less than $200,000 separated the two films.)

Exorcism, though, did not walk away a loser. The movie “documenting” a priest’s final exorcism earned just over $20 million—and it only cost $1.8 million to produce. The PG-13 flick also surpassed The Unborn‘s 2009 debut ($19.8 million), though it did fall short of The Exorcism of Emily Rose. (That 2005 release opened to $30 million.)

Click to continue reading Box Office Breakdown: Takers Takes the (Close) Win

Read More | Box Office Mojo

Advertisement

Box Office Breakdown: The Switch Fails to Light Up

The Switch

Maybe a quick trip to Cougar Town is something Jennifer Aniston could use right now.

Days after blurting out the R-word on television, Aniston is dealing with another ding in her career: the box office disappointment. The Switch, co-starring Jason Bateman, produced only $8.4 million over the past three days while narrowly escaping eighth place. The good news? The movie raised slightly more than Jen’s Love Happens did back in September. The bad news? The comedy earned about $4 million less than Jennifer Lopez’s baby movie, The Back-Up Plan, did in April.

Click to continue reading Box Office Breakdown: The Switch Fails to Light Up

Read More | Box Office Mojo

Box Office Breakdown: Expendables Team Up Against Julia Roberts

The Expendables

For some people, eating, praying and loving is the way to go. For others, shooting and fighting is the preferred course of action.

, directed and co-written by Sylvester Stallone, overpowered the competition this weekend with a $34.8 million finish. The combined star power of the cast – which included Dolph Lundgren, Jet Li, Mickey Rourke, and Jason Statham – helped land the actioner in first place while awarding Stallone his biggest debut to date.

Although fell in second with its $23.1 million take, the movie was by no means a disappointment. The Julia Roberts vehicle premiered on par with Julie & Julia’s $20 million kickoff last August. Meanwhile, Roberts earned her best opening numbers in 10 years (outside of the Oceans franchise).

Unfortunately for Michael Cera, it appears the world was simply working against The $60 million comic book adaptation only raked in $10.6 million over the past three days.

Click to continue reading Box Office Breakdown: Expendables Team Up Against Julia Roberts

Read More | Box Office Mojo

Box Office Breakdown: Victory for The Other Guys

The Other Guys

Will Ferrell is no longer stuck in the Land of the Lost.

After stinking up the theaters last summer with his science fiction remake, Ferrell has rebounded nicely with . Sony’s buddy-cop flick opened to $35.5 million over the weekend, giving the funnyman his second highest debut ever. (Talledega Nights rang in $47 million in August 2006.) The comedy also performed well for Mark Wahlberg. It was his best outing since Planet of the Apes’ $68.5 million kickoff in 2001.

Unfortunately, 3-D screens and So You Think You Can Dance plugs couldn’t push further up the charts. The $40 million film only grossed $15.8 million in ticket sales while coming in lower than the first two installments. (Step Up premiered to $20.7 million in 2006 while Step Up 2 the Streets opened to $18.9 million in 2008.)

Click to continue reading Box Office Breakdown: Victory for The Other Guys

Read More | Box Office Mojo

Box Office Breakdown: Dinner for Schmucks Comes Up Short

Dinner for Schmucks

Fans aren’t quite ready to wake up from the dream just yet.

Despite competition from Steve Carell, Zac Efron and cute animals, managed to continue its reign over the box office. The Christopher Nolan film - which is nearing the $200 million mark - added another $27.5 million to its total and became the third entry of the year to three-peat. (Alice in Wonderland and Shrek Forever After also had three wins under their belts.)

Warner Bros.’ win meant leftovers for . The Paramount comedy, which cost in the neighborhood of $60 million to produce, only brought $23.5 million to the table.

Meanwhile, narrowly beat out Cats & Dogs: The Revenge of Kitty Galore for fifth place. The two entries were separated by approximately $100,000.

Click to continue reading Box Office Breakdown: Dinner for Schmucks Comes Up Short

Read More | Box Office Mojo

VIDEO: Toy Story 3 and Inception Mashed Up

Posted by Veronica Santiago Categories: Animation, Comedy, Thrillers, Videos,


If you could construct your very own dream world, would it be filled with skyscrapers, snowmobiles and zero-gravity hotels? Or would include it include colorful dollhouses, talking stuffed animals and Ken?

In this awesome new mashup, we get to see what ‘s thrilling drama and soundtrack would look like against ‘s backdrop.

Now here’s a movie I’d actually pay to see in 3-D.

Read More | Screen Rant via Holy Kaw


Box Office Breakdown: Inception Holds (Off) the Salt

Salt

So remind me again - why exactly did Tom Cruise drop out of ?

The thriller Cruise was once attached to fired up $36 million over the past three days - nearly $15 million more than Knight and Day did just four weeks ago. (That movie, by the way, just fell out of the Top 10 after only four weeks.) Salt‘s numbers, though, did not match Angelina Jolie’s previous actioners (e.g. Wanted, Mr. & Mrs. Smith, Tomb Raider). The Sony film also failed to boot Inception out of first place.

Meanwhile, , the weekend’s only other new wide release, failed to even cross the $10 million mark. But Beverly Cleary lovers shouldn’t feel bad - the adaptation only cost about $15 million to produce.

Click to continue reading Box Office Breakdown: Inception Holds (Off) the Salt

Read More | Box Office Mojo

Box Office Breakdown: Dreamy Numbers for Inception

Inception

Warner Bros. might have had difficulty marketing , but strong word of mouth, stunning visuals and Christopher Nolan’s reputation were enough to sell the film. The $160 million thriller opened to $62.8 million in weekend receipts, placing the film on top of all original projects out so far this summer. Inception also bested Leonardo DiCaprio’s previous debuts (including Shutter Island‘s $41.1 million) and Nolan’s earlier titles (outside of The Dark Knight).

, on the other hand, had a harder time conjuring up interest. The Disney remake grossed only $17.6 million since Friday ($24.7 million since Wednesday). That’s a considerable disappointment given the $150 million price tag, but overseas dollars will likely help the studio.

Meanwhile, a film that placed #12 on this week’s chart actually outperformed both Inception and Apprentice. , starring Annette Bening and Julianne Moore, had the best per screen average ($28,009) of any movie currently in theaters.

Click to continue reading Box Office Breakdown: Dreamy Numbers for Inception

Read More | Box Office Mojo

In Theaters This Weekend: July 16, 2010


Here are a few selections in theaters this weekend:

  • Inception (PG-13): starring Leonardo DiCaprio, Ellen Page, Joseph Gordon-Levitt (directed by Christopher Nolan)
  • The Sorcerer’s Apprentice (PG): starring Nicolas Cage, Jay Baruchel, Alfred Molina (directed by Jon Turteltaub)  **opens July 14**
  • Kisses* (NR): starring Kelly O’Neill, Shane Curry, Paul Roe (directed by Lance Daly)
  • Operation: Endgame* (R): starring Joe Anderson, Rob Corddry, Ellen Barkin (directed by Fouad Mikati)

Click to continue reading In Theaters This Weekend: July 16, 2010


Quote of the Day: Joseph Gordon-Levitt on Making Profitable, Good Films

Christopher Nolan with Joseph Gordon-Levitt and Leonardo DiCaprio

“There’s a lot of stuff that gets created for the love of it, and there’s a lot that really does get created with almost no love involved. Just to make money. I think of Chris Nolan as a shining example of somebody who can do something for the love and still succeed at the money game. A lot of people make excuses and say, ‘Ah, well, there’s no room for love here. We have to make money.’ And I love to point to Chris Nolan and say, ‘F*ck you guys. This guy’s making more money than you are, and he’s making beautiful, genuine movies.’”

- Joseph Gordon-Levitt explains how his Inception director Christopher Nolan can make good films and make good money.

(Make sure to check out other notable quotes.)

Read More | Details

Advertisement

{solspace:toolbar}