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Jules Feiffer and Danny Fingeroth

Posted by Tom Mason Categories: Editorials,

Jules FeifferI met Jules Feiffer once at a party some years ago. He seemed uncomfortable (long before meeting me, thank goodness), but friendly and talkative, if that makes any sense. I can’t say we really had a conversation or that he’d remember I was even there - the best I could do was to mumble out that I was a big fan. I read his work in The Village Voice for a number of years when I used to commute into Manhattan, his book The Great Comic Book Heroes was one of my early Rosetta Stones for comics and I’ve probably seen his animated short Munro as many times as I’ve seen What’s Opera, Doc?

Continuing my series on cartooning and cartoonists, Jules Feiffer wrote about himself and his work back in 1964. This is pulled from an oversized saddle-stitched magazine from Allied Publications with the creatively-challenged title These Top Cartoonists Tell How They Create America’s Favorite Comics. It featured an introduction by Beetle Bailey’s Mort Walker and was compiled by Allen Willette.

Here’s Feiffer on Feiffer:

Click to continue reading Jules Feiffer and Danny Fingeroth


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Q&A: Brendon Fraim and Brian Fraim (Vampire, PA)

Posted by Tom Mason Categories: Interviews,

Vampire PAThe comic book industry is like a city with a lot of restaurants. If you want to find something good, you need a recommendation. That’s how I discovered the most-excellent work of the twin brothers Brendon and Brian Fraim.

My friend J.C. Vaughn is not just the Executive Editor and Associate Publisher of The Overstreet Comic Book Price Guide, he’s also a comic book writer. He pointed me in their direction because J.C., Brendon and Brian collaborated on the serialized adventure/mystery strip, Antiques, for The Antique Trader newspaper.

Their new project, Vampire, PA is debuting from Moonstone in June. J.C. wrote it, Brendon and Brian illustrated it and Mark Wheatley is coloring it. There’s a great 8-page preview of the first issue over at Vaughn’s website, Well-Defined Productions.

Click to continue reading Q&A: Brendon Fraim and Brian Fraim (Vampire, PA)


Weekend Reading: Starlog, Christopher Golden, Gerry Conway, Tarzan and Steve Milo

Posted by Tom Mason Categories: Editorials,

Adam WestLots of cool to click on lately, from horror and comic book author Christopher Golden to comic book and television writer Gerry Conway, with a dash of The Simpsons and a blast from the Direct Market past with the ghost of Steve Milo. Check ‘em out:

Christopher Golden: When I first read Golden’s Of Saints And Shadows, I was struck by two things: (1) he’s really good and (2) this book reads like a horror version of X-Men. Novelist Ed Gorman plays Q&A with Golden over at his website.

Gerry Conway: One of my absolute favorite comic book writers (and now a TV writer in the Dick Wolf empire), Mr. Conway is excited about the new Predator reboot, Predators. He tweets: “Not that it matters: Predators seems to have a similar plot device to a movie Roy Thomas & I pitched years ago. Great minds, etc.” He expands on that in subsequent tweets, “I’m not claiming idea theft, ‘cause Roberto Rodriquez would’ve been 14-years-old when Roy & I made our pitch, and somehow I doubt…” Since he curtailed his blogging, his tweets make for fun reading.

Click to continue reading Weekend Reading: Starlog, Christopher Golden, Gerry Conway, Tarzan and Steve Milo


Q&A: James Childress & Conchy (1975)

Posted by Tom Mason Categories: Interviews,

ConchyA million years ago, when I was but a small boy, my favorite comic strip was - and still is - Conchy by James Childress. The strip was about a group of beachcombers and it had the wackiness of early B.C. by Johnny Hart mixed with the philosophical melancholy of Charles Schulz’s Peanuts. And it was extremely well-drawn. I found out about Conchy in some obscure comic magazine, then realized it was not running in my local paper, The Roanoke Times & World News (because there had to be room for Dr. Smock, right?). But it did run in the Richmond Times-Dispatch. Being too broke to spend the money every day to get a copy of an out of town paper, I pulled a pre-Google and read it for free: by going to the local library every Sunday afternoon and reading a week’s worth of strips in one sitting.

I loved it and I started to piece together a history of the strip and its creator. Childress himself was syndicating the strip on his own - no big syndicate to support and promote him. I remember being impressed by that gutsy DIY attitude; I had no idea such a thing was even possible. He worked his way up as an independent and subsequently got Conchy picked up by the same folks that syndicated Walt Kelly’s Pogo, Publishers-Hall.

Click to continue reading Q&A: James Childress & Conchy (1975)


Weekend Reading: Webcomics, Fritz The Cat, E-Man and Batman!

Posted by Tom Mason Categories: Editorials,

Kez's War of WindsBack again with more cool stuff from around the internet. Whether your tastes run to Ralph Bakshi’s version of Robert Crumb’s Fritz The Cat, webcomics, E-Man or inappropriately sexual licensed Batman products, the internet proved a bounty of great stuff this week. Let’s take a look.

Webcomics: I love webcomics - and some day we’ll all just call them comics, right? - and I love the sites that cover them. Which means I love Floating Light Bulb. In addition to coverage of webcomics, there are lots of great insights into using them as a business, plus stuff on Google, Twitter, and more. Also, this person is smarter than me. A highly recommended site to bookmark.

Here’s a taste from a recent post. This past week featured an interview with Kez who does the webcomic War of Winds. The interview’s focus is all about webcomic creators attending conventions, hand-selling, meeting fans and making fans. It’s about the “creator as small businessperson” model. Kez also breaks down how much money can be made via her website v. conventions. “I completed one short 54-page comic as a printed side-story, which has sold well. While I didn’t start out with that story from a business stand-point, I ended that way. Out of the 50 copies I had printed, I have sold 42, gave away 2, have 3 left to sell, and 3 that were mis-printed. I bought each for about 7 dollars, sold them for $10 each, and made a profit of over $100. I will be printing more books shortly, as books sell the best at conventions.” It’s great to see someone talking hard numbers like this, instead of theory. Much, much more at the link.

Click to continue reading Weekend Reading: Webcomics, Fritz The Cat, E-Man and Batman!


An interview with Neal Adams

Posted by Todd Matthy Categories: Interviews,

Neal Adams
With New York Comic Con having just passed earlier this month, I’ve decided to bring to you this gem from last year’s convention. Here is an interview I conducted with the legendary, Neal Adams. Unfortunately, I was not able to publish this interview until now. (I’m sorry, Neal) But, Neal is so interesting that an interview from last year is too good to let sit idle. So, without further ado, Neal Adams.

Click to continue reading An interview with Neal Adams


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